Radu Jude’s Bad Luck Banging or Loony Porn (Babardeală cu bucluc sau porno balamuc, 2021)

Vol. 112 (February 2021) by Zoe Aiano
A sex tape featuring a female teacher goes viral, exposing society's double standards and much else.

Jindřich Andrš’s A New Shift (Nová šichta, 2020)

Vol. 111 (January 2021) by Zoe Aiano
What are the hopes for reintegrating manual workers in a post-industrial world?

Linas Mikuta’s Roman’s Childhood (Romano vaikystė, 2020)

Vol. 111 (January 2021) by Zoe Aiano
Linas Mikuta portrays a relatively happy family doing their best in the face of capitalism.

Daria Slyusarenko’s Joy (Dzhoy, 2020)

Vol. 111 (January 2021) by Zoe Aiano
This recent documentary portrays life behind the scenes of a traveling circus.

Anya Tsyrlina’s All Other Things Equal (2020) & Olya Korsun’s Blue Rose (Sinyaya roza, 2020)

Vol. 107 (September 2020) by Zoe Aiano
These two experimental films examine our attitude towards the past by playfully deploying visual nostalgia.

Radu Jude’s Uppercase Print (Tipografic majuscul, 2020)

Vol. 103 (March 2020) by Zoe Aiano
Radu Jude continues to pursue two missions that have come to define his career.

Iryna Tsilyk’s The Earth Is Blue as an Orange (2020)

Vol. 103 (March 2020) by Zoe Aiano
This film explores everyday life and the role of storytelling in a recovering war zone.

Natalija Yefimkina’s Garage People (Garagenvolk, 2020)

Vol. 103 (March 2020) by Zoe Aiano
This documentary explores garages populating the outskirts of Russian towns.

Natalija Yefimkina on Garage People

Vol. 103 (March 2020) by Zoe Aiano
Berlin-based filmmaker Natalija Yefimkina discusses her film and points out how documentary filmmaking lacks support.

Silva Khnkanosian’s Nothing to Be Afraid Of (2019)

Vol. 100 (December 2019) by Zoe Aiano
Silva Khnkanosian's portrait of a post-war demining process manages to do without contextualization or stylistic gimmickry.
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