Rolands Kalniņš’ Four White Shirts (Četri balti krekli, 1967)

Vol. 90 (December 2018) by Zoe Aiano
Rolands Kalniņš’ critique of Soviet censorship was restored last year to mark the director's 95th birthday.

Kristīne Briede and Audrius Stonys’ Bridges of Time (Laika tilti, 2018)

Vol. 90 (December 2018) by Zoe Aiano
Kristīne Briede and Audrius Stonys revisit the protagonists of Baltic Poetic Documentary.

Lauri Lagle’s Portugal (2018)

Vol. 90 (December 2018) by Zoe Aiano
Both protagonist and script to Lauri Lagle’s feature suffer from existential disorientation.

Maria Avdjushko’s Fire Lily (Tuliliilia, 2018)

Vol. 89 (November 2018) by Zoe Aiano
Maria Avdjushko tackles motherhood in a film poised between psychological thriller and horror film.

Maria Avdjushko on Fire Lily

Vol. 89 (November 2018) by Zoe Aiano
Estonian Filmmaker Maria Avdjushko speaks about her debut feature and reflects on the role of women in the film industry.

Sergei Loznitsa’s Donbass (2018)

Vol. 85 (May 2018) by Zoe Aiano
In his latest film, Loznitsa dwells on the cacophony and chaos of the Donbass region.

Stephan Komandarev’s Directions (Posoki, 2017)

Vol. 85 (May 2018) by Zoe Aiano
It is literally night on earth in this cab-set feature from Bulgaria.

Daniel Sandu’s One Step Behind the Seraphim (Un pas în urma serafimilor, 2017)

Vol. 85 (May 2018) by Zoe Aiano
In this debut feature, a group of teenagers enter a seminary in 1990s Romania.

Adina Pintilie’s Touch Me Not (2018)

Vol. 85 (May 2018) by Zoe Aiano
In her experimental and personal feature that won her the main award at the 2018 Berlinale, Adina Pintilie meditates on the theme of intimacy.

Adina Pintilie on Touch Me Not

Vol. 85 (May 2018) by Zoe Aiano
We met filmmaker Adina Pintilie to speak to her about her 2018 Golden Bear winner.
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