Zoe Aiano

These two experimental films examine our attitude towards the past by playfully deploying visual nostalgia.

Radu Jude’s Uppercase Print (Tipografic majuscul, 2020)

Radu Jude continues to pursue two missions that have come to define his career.

This film explores everyday life and the role of storytelling in a recovering war zone.

This documentary explores garages populating the outskirts of Russian towns.

Berlin-based filmmaker Natalija Yefimkina discusses her film and points out how documentary filmmaking lacks support.

Silva Khnkanosian's portrait of a post-war demining process manages to do without contextualization or stylistic gimmickry.

Can the wind account for the "thrilling" drama summoned by Michał Bielawski’s documentary?

A remote village, recurrent routines and a straightforward filmmaking approach harmonize in Dvortsevoy’s early documentary.

This all-too perfect documentary dwells on the fate of tradition in the modern world.

Alex Brendea reverses the dynamics of the classic one-man versus the broken system narrative.

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