Editorial
As the situation of migrants remains precarious and immobile as ever, with the boundaries literally being pushed ever further outwards, middleclass fantasies about summer vacations were not the only thing dispelled by current restrictions on travel and mobility. Traveling for work has become difficult, with most companies being forced to rely on digital communication and...
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Vol. 107 (September 2020)
The curator and co-founder of the Moscow International Experimental Film Festival discusses the aesthetics, finances and politics behind organizing the event.
Festival director Heleen Gerritsen discusses 90s cinema, national film archives, and how the festival landscape in Eastern Europe is currently changing.
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
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