Editorial
Emmanuel Marre’s A Man of His Time (Notre salut, 2026) opens on an evening reception in Vichy in September 1940. In a dim salon thick with cigar smoke, someone hums Carmen. Officials from the ministries of Marshal Pétain’s new regime sweat into their collars and talk, between glasses, about reforming the civil service. Henri (Swann...Continue Reading{{catlist}}
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Mircea Daneliuc, born in 1943, was one of the few Romanian filmmakers resisting the Communist system. Films like Microfone Test (1980) or The Cruise (1981) did not pass censorship for their ridiculing critique...
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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