Editorial
Nearly 100 years ago, as silent film actors were still hamming it up in film studios around the world, avant-garde film theorists were already plotting their demise. Writing collectively in August 1928, S.M. Eisenstein, V.I. Pudovkin and G.V. Alexandrov weighed in on the new technology that was sound film. In that short text, they assert...
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Vol. 110 (December 2020)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
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