Editorial
In Jasmila Žbanić’s Grbavica: The Land of My Dreams, Esma, a single mother who fell victim to wartime sexual violence, is confronted with two different ways of dealing with the past, each represented through a debt-relationship. The confrontation is provoked by Esma’s daughter Sara, a stroppy teenager, who needs 200 euros for a school excursion...
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Vol. 125 (May 2022)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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