Editorial
In the Summer of 1918, Polish composer Karol Szymanowski was residing in a resort on the Black Sea when he suddenly fell ill with the Spanish flu. As a result, he wrote "King Roger", an opera about the struggle for (homo)sexual liberation. The inspiration for the opera had come to the composer suddenly, during a...
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Vol. 114 (April 2021)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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