On February 17th, another poorly received Berlinale drew to a close. It was the last edition under the 18-year direction of Dieter Kosslick, the not-so-mad hatter with his stiff appearance and slightly forced bravado. Reigning during a period of growth and international repositioning, over the years Kosslick has come under increased pressure for what many...
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
