Editorial
Amidst the seasonal looking away from anything that could disturb the lull of the summer break, a recent crisis in Kosovo demonstrated the risk of escalation: that the longer the war in Ukraine lasts, the more likely it will spread to other states. After protests and gunshots erupted in Kosovo's northern regions in early August,...
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Vol. 126 (Summer 2022)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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