Editorial
In the 10th year of our journal’s existence, we will complete our cycle of regional focuses with Russia, a country whose cinematic culture in many ways poses an impossible challenge for a one-year examination. Recently having passed the 100 issues mark, our archive already features over 100 articles on Russian cinema, and yet it seems...
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Vol. 102 (February 2020)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
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