Paweł Łoziński’s The Balcony Movie (Film Balkonowy, 2021)

Vol. 121 (January 2022) by Konstanty Kuzma
Paweł Łoziński’s film of the hour was entirely shot from his balcony.

Franciszka and Stefan Themerson’s Europa (1931)

Vol. 118 (October 2021) by Isabel Jacobs
Lost for eighty years, this rediscovered avant-garde short recently premiered at the BFI film festival.

Małgorzata Szumowska and Michał Englert’s Never Gonna Snow Again (Śniegu już nigdy nie będzie, 2020)

Vol. 108 (October 2020) by Jack Page
A mysterious stranger brings peace to Warsaw's restless bourgeoisie.

Jan Komasa’s Corpus Cristi (Boże Ciało, 2019) & Wojciech Smarzowski’s Clergy (Kler, 2018)

Vol. 104 (April 2020) by Colette de Castro
Two recent films from Poland reflect on the role of the church in the 21st century.

Marek Piwowski’s The Cruise (Rejs, 1970)

Vol. 104 (April 2020) by Julia Weir
Julia Weir revisits this Polish cult film and the story behind its unlikely release.

Michał Bielawski’s The Wind. A Documentary Thriller (Wiatr. Thriller dokumentalny, 2019)

Vol. 100 (December 2019) by Zoe Aiano
Can the wind account for the "thrilling" drama summoned by Michał Bielawski’s documentary?

Jacek Borcuch’s Dolce Fine Giornata (2019)

Vol. 96 (Summer 2019) by Colette de Castro
Jacek Borcuch's newest film again deals with poetry, though his style has further matured since All that I Love.

Agnieszka Smoczyńska’s Fugue (Fuga, 2018)

Vol. 95 (May 2019) by Isabel Jacobs
Agnieszka Smoczyńska returns with a drama about a woman who lost her identity and the memories of her prior life.

Paweł Ziemilski’s In Touch (2018)

Vol. 94 (April 2019) by Zoe Aiano
How do you make sense of a loved one’s daily life in a parallel universe?

Paweł Pawlikowski’s Cold War (Zimna wojna, 2018)

Vol. 92 (February 2019) by Daniil Lebedev
The latest Pawlikowski film revolves around the theme of “love as risky business”.
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