Alexander Sokurov’s Fairytale (Skazka, 2022)

Vol. 133 (March 2023) by Antonis Lagarias
Four protagonists of WWII convene at the gate to heaven.

Danilo Kiš’s Bare Life (Goli život, 1990) in Retrospect

Vol. 132 (February 2023) by McKenna Marko
McKenna Marko revisits an all but forgotten document of Yugoslav history.

Slobodan Šijan’s Experimental Films

Vol. 131 (January 2023) by Anna Doyle
Anna Doyle reviews Slobodan Šijan’s experimental films from the 1970s.

Tonislav Hristov’s The Good Driver (2022)

Vol. 130 (December 2022) by Ana Grgić and Antonis Lagarias
The limits and pitfalls of mobility on the European continent.

Ruslan Fedotov’s Where Are We Headed? (2021)

Vol. 128 (October 2022) by Antonis Lagarias
The weird and the wicked in Moscow's metro system.

Tracing Queer Narratives in Romanian Time-Based Media Art

Vol. 128 (October 2022) by Valentina Iancu
Valentina Iancu retraces the emergence of queer time-based media art in Romania.

Harun Farocki and Andrei Ujică’s Videograms of a Revolution (1992), Radu Muntean’s The Paper Will Be Blue (2006) & Corneliu Porumboiu’s 12:08 East of Bucharest (2006)

Vol. 127 (September 2022) by Fabrizio Cilento
This study explores allegorical landscapes in three classics of the Romanian New Wave.

Ghosts of History in the Films of Mona Vatamanu and Florin Tudor

Vol. 127 (September 2022) by Antonis Lagarias
The fate of ruins in willfully forgetful societies.

Family Dynamics in Cristi Puiu’s Sieranevada (2016)

Vol. 127 (September 2022) by Ioana Tarbu
How Cristi Puiu achieves a sense of cultural intimacy and connivance with the Romanian public.

Andrea Cristina Bortun’s When Night Meets Dawn (2021)

Vol. 127 (September 2022) by Anna Doyle
A coming-of-age film set amidst the urban jungle of Bucharest.
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