• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Vatroslav Mimica’s Kaja, I’ll Kill You! (Kaja, ubit ću te!, 1967)

Vol. 150 (December 2024) by Anna Doyle
Kaja, I'll Kill You has all the elements of a Yugoslav war drama yet always moves away from mere historical reconstruction.
Essay

Sean Baker’s Anora (2024)

Vol. 149 (November 2024) by Moritz Pfeifer
The traditional economy of domination gives way to a new economy of moral exhibitionism.
Essay

Łódź’s Workshop of the Film Form

Vol. 147 (September 2024) by Anna Doyle
Anna Doyle revisits the 1970s and a film group formed by students of the National Film School in Łódź.
Essay

The Collective Body in the Sports Films of Bogdan Dziworski (1970s–1980s)

Vol. 147 (September 2024) by Margarita Kirilkina
Margarita Kirilkina reflects on Bogdan Dziworski’s peculiar depiction of bodies in motion.
Essay

Tato Kotetishvili’s Holy Electricity (2024)

Vol. 147 (September 2024) by Konstanty Kuzma
Is Georgian cinema finally beginning to reinvent itself in the midst of a political crisis?
Essay

Brigitte Stærmose’s Afterwar (2024)

Vol. 147 (September 2024) by Tajana Kosor
Afterwar compels us to confront the inescapable reality of our shared humanity.
Essay

The Ideological Fashioning of Femininity in Soviet-Era Cinema

Vol. 146 (Summer 2024) by Nora Furlong
Nora Furlong revisits Grigori Aleksandrov’s 1936 Circus and Ernst Lubitsch’s 1939 Ninotchka as well as two competing visions of femininity.
Essay

Vladimir Perišić’s Lost Country (2023)

Vol. 143 (March 2024) by Tajana Kosor
Tajana Kosor reflects on the Bressonian pitfalls of Vladimir Perišić’s first film in fifteen years.
Essay

Márta Mészáros’ Diary for My Children (Napló gyermekeimnek, 1984)

Vol. 141 (January 2024) by Lena Streitwieser
Márta Mészáros and the connections between memory and adulthood.
Essay

The “Female Boom” in Russian Documentary Film (2012-2023)

Vol. 138 (October 2023) by Anzhelika Artyukh
Anzhelyka Artyukh offers a close-up survey of recent trends in Russian Documentary Film.
Page 1 of 191234»10...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT