• Perspectives
  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Agnieszka Holland’s Total Eclipse (1995)

Vol. 52 (April 2015) by Paulina Duda
Paulina Duda takes a fresh look at Holland's rendering of the love affair between two famous French poets but bemoans the lack of cinematographic poetry in the movie.
Essay

Harutyun Khachatryan’s Return of the Poet (Poeti veradardze, 2005)

Vol. 52 (April 2015) by Moritz Pfeifer
Moritz Pfeifer looks at this deeply nostalgic journey of the statue of the poet Javini traveling back home.
Essay

Martin Ťapák’s Pacho, Brigand of Hybe (Pacho, hybský zbojník, 1975)

Vol. 51 (March 2015) by Nicholas Hudáč
Nicholas Hudáč analyzes Martin Ťapák’s 1975 comedy against the background of Czechoslovak tensions in the cultural sphere.
Essay

A Brief Examination of Some Trends in Polish Comedy Films Since 2005

Vol. 51 (March 2015) by Rohan Crickmar
Rohan Crickmar closely examines recent developments in Poland's comedy landscape, and wonders why they are largely unknown to international audiences.
Essay

Eldar Shengelaia’s Blue Mountains aka An Unbelievable Story (Tsisperi mtebi anu daujerebeli ambavi, 1984)

Vol. 51 (March 2015) by Moritz Pfeifer
Moritz Pfeifer deliberates comedic elements in this parody of Soviet bureaucracy.
Essay

Eldar Shengelaia’s An Unusual Exhibition (Arachveulebrivi gamofena, 1968)

Vol. 51 (March 2015) by Konstanty Kuzma
Konstanty Kuzma burrows into the hidden and critical messages of Eldar Shengelaia's masterful comedy.
Essay

Paweł Pawlikowski’s Ida (2013)

Vol. 50 (February 2015) by Emilia Sieczka and Radoslaw Szymanski
Emilia Sieczka and Radoslaw Szymanski analyze the political meaning of Pawlikowski's main characters, using hermeneutic methodology to reflect on questions of moral autonomy.
Essay

Wojciech Wiszniewski’s documentaries

Vol. 48 (December 2014) by Konstanty Kuzma
Konstanty Kuzma examines the liberal formalistic elements of Wojciech Wiszniewski’s documentaries.
Essay

Krzysztof Kieślowski’s Documentaries

Vol. 48 (December 2014) by Maxence Voiseux
Maxence Voiseux looks at three of Kieślowski's documentaries, asking what motivated the director to make fiction films.
Essay

Irena Kamieńska’s Hello, Children (Dzień dobry dzieci, 1967) & The Dam (Zapora, 1977)

Vol. 48 (December 2014) by Julia Zelman
Julia Zelman discusses two of Irena Kamieńska's documentaries, revealing a tension between the centralized state and the basic needs of the people.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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