Roman Polanski’s Venus in Fur (La Vénus à la fourrure, 2013)

Vol. 46 (October 2014) by Julia Zelman
Julia Zelman discusses Polanski's interpretation of Sacher Masoch's novel and analyzes how the filmmaker's take on the female protagonist differs from that of the original.

Štefan Uher’s The Sun in a Net (Slnko v sieti, 1963)

Vol. 46 (October 2014) by Nicholas Hudáč
Nicholas Hudáč examines how Štefan Uher adopts Czechoslovak identity in his pre-New Wave pic The Sun in a Net.

Wojchiech Jerzy Has’ The Saragossa Manuscript (Rękopis znaleziony w Saragossie, 1964)

Vol. 46 (October 2014) by Pau Bosch Santos
Pau Bosch Santos shows how Wojciech Has manages to update Jan Potocki's master piece for his contemporaries.

Jan Jakub Kolski’s Pornography (Pornografia, 2003)

Vol. 46 (October 2014) by Konstanty Kuzma
In his article on Jan Jakub Kolski's Pornography, Konstanty Kuzma claims that the filmmaker misunderstood the original work by Witold Gombrowicz.

Jerzy Antczak’s Nights & Days (Noce i dnie, 1975)

Vol. 46 (October 2014) by Jack Page
Jack Page discusses Poland's Nights & Days, and analyzes, among other things, aspects of Antczak's Humanist agenda.

Andrzej Munk’s Bad Luck (Zezowate szczęście, 1960)

Vol. 45 (September 2014) by Konstanty Kuzma
Konstanty Kuzma discusses aspects of comedy in Andrzej Munk's Bad Luck.

New Yugoslav Film

Vol. 44 (August 2014) by Gal Kirn and Vedrana Madžar
Gal Kirn and Vedrana Madžar reflect on the history of Yugoslav film during the golden age of the "New Yugoslav Film" between 1963 and 1973.

Živojin Pavlović’s Red Wheat (Rdeče klasje, 1970)

Vol. 44 (August 2014) by Andrej Šprah
Andrej Šprah analyzes Živojin Pavlović’s Red Wheat and interprets the film as an example of the director's notion of the "Drastic Image".

István Szabó’s Mephisto (1981)

Vol. 43 (July 2014) by Moritz Pfeifer
Moritz Pfeifer compares the plot of István Szabó's Mephisto (1981) to the controversy surrounding Kathryn Bigalow's Zero Dark Thirty (2012).

Jan Kidawa-Błoński’s In Hiding (W ukryciu, 2013) & Jerzy Skolimowski’s Four Nights with Anna (Cztery noce z Anna, 2008)

Vol. 43 (July 2014) by Konstanty Kuzma
Konstanty Kurma's comparison of two recent Polish films makes him wonder why freedom and democracy made Polish cinema more dogmatic than it previously was.
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