Emilia Sieczka and Radoslaw Szymanski analyze the political meaning of Pawlikowski's main characters, using hermeneutic methodology to reflect on questions of moral autonomy.
Konstanty Kuzma discusses whether this Polish classic can be seen as a work of Enlightenment, whether it counts as surrealist and what these two opposing mindsets have in common.
Julia Zelman discusses Polanski's interpretation of Sacher Masoch's novel and analyzes how the filmmaker's take on the female protagonist differs from that of the original.
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