• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • Archive
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
Archive
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • Archive

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Andrius Blaževičius’ How to Divorce During the War (Skyrybos karo metu, 2026)

Vol. 165 (May 2026) by Jack Page
Personal distrust and alienation in times of crisis.
Review

Katarína Gramatová’s Promise, I’ll Be Fine (Hore je nebo, v doline som ja, 2024)

Vol. 165 (May 2026) by Martin Kudláč
Rethinking social realism for younger audiences.
Review

Vicky Jewson’s Pretty Lethal (2026)

Vol. 165 (May 2026) by Anna Batori
Pretty Lethal is an act of total disembodiment, starting with its characters, and ending with the film itself.
Review

Paul Negoescu’s Atlas of the Universe (Atlasul universului, 2026)

Vol. 165 (May 2026) by Zoe Aiano
When a child embarks on an odyssey of their own.
Review

Raitis and Lauris Ābele’s Dog of God (Dieva suns, 2025)

Vol. 164 (April 2026) by Anna Batori
Dog of God delivers a bold, transgressive animation on belief.
Review

Stefan Djordjevic’s Wind, Talk to Me (Vetre, pričaj sa mnom, 2025)

Vol. 164 (April 2026) by Rohan Crickmar
An exploration of the death of the director’s mother and how it impacts his family.
Review

Tereza Nvotová’s Father (Otec, 2025)

Vol. 164 (April 2026) by Jack Page
A once happily married couple has the unthinkable happen to their child.
Review

Ivan Boiko’s The Wind Blows Wherever It Wants (2025)

Vol. 164 (April 2026) by Natalia Ashurovskaya
The cycle of life in the highlands of Tushetia, Georgia.
Review

Csaba Káel’s Hungarian Wedding (Magyar menyegző, 2025)

Vol. 163 (March 2026) by Anna Batori
An open declaration of the Orbán regime’s cultural ambitions.
Review

Kristina Mikhailova’s River Dreams (2026)

Vol. 163 (March 2026) by Zoe Aiano
Kristina Mikhailova invites her protagonists to imagine themselves as a river.
Page 1 of 721234»102030...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2026 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT