Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

The role of montage in Radu Jude’s The Exit of the Trains (Ieşirea trenurilor din gară, 2020)

Vol. 112 (February 2021) by Anastasia Eleftheriou
This film examines and questions how we can document and remember the atrocities of the Iași pogroms.

Marta Popivoda’s Landscapes of Resistance (Pejzaži otpora, 2021)

Vol. 112 (February 2021) by Melina Tzamtzi
This film documents the story of a female ex-partisan who fought against the Nazis.

Elvin Adigozel’s Bilesuvar (2020)

Vol. 112 (February 2021) by Jack Page
Elvin Adigozel's latest film paints a piecemeal portrait of the mundane.

Norika Sefa’s Looking for Venera (Në kërkim të Venerës, 2021)

Vol. 112 (February 2021) by Jack Page
Norika Sefa's debut feature is an impressive take on femininity, coming-of-age stories and town life.

Dea Kulumbegashvili’s Beginning (Dasatskisi, 2020)

Vol. 112 (February 2021) by Daniil Lebedev
Dea Kulumbegashvili tells a sad story of biblical dimensions.

Marian Crişan’s The Campain (Berliner, 2020)

Vol. 111 (January 2021) by Antonis Lagarias
Corruption and cynicism dominate Marian Crişan’s trite portrait of political culture.

Jindřich Andrš’s A New Shift (Nová šichta, 2020)

Vol. 111 (January 2021) by Zoe Aiano
What are the hopes for reintegrating manual workers in a post-industrial world?

Linas Mikuta’s Roman’s Childhood (Romano vaikystė, 2020)

Vol. 111 (January 2021) by Zoe Aiano
Linas Mikuta portrays a relatively happy family doing their best in the face of capitalism.

Daria Slyusarenko’s Joy (Dzhoy, 2020)

Vol. 111 (January 2021) by Zoe Aiano
This recent documentary portrays life behind the scenes of a traveling circus.

Siamak Etemadi’s Pari (2020)

Vol. 111 (January 2021) by Antonis Lagarias
A woman loses herself while searching for her son in the streets of Athens.
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