Perspectives

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Juris Kursietis’ Oleg (Oļeg, 2019)

Is our culture of awareness conducive to our forgetting where the problems lie?

In 2012, Maria Saakyan made a 180°-turn by leaving behind arthouse aesthetics in her popculture-induced and highly referential vision of apocalypse.

Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.

Filmmaking duo Boris Missirkov and Georgi Bogdanov travel Eastern Europe to reflect on the lasting legacy of "people's palaces".

This tendentious documentary settles old scores concerning Communism in Russia.

Cătălin Mitulescu embraces the style and themes of the Romanian New Wave with this story about the ethics of police conduct.

Laila Pakalniņa constructs an experimental documentary around the serial production of plastic spoons.

A movie projectionist and his work-place compete for the center spot in this ambivalent documentary from Ukraine.

A sound engineer, his mother, and a mysterious duck are the three protagonists of this image-driven road movie.

An Albanian director pines for (and over) religious reconciliation.

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