Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Eugen Jebeleanu’s Poppy Field (Câmp de maci, 2020)

Vol. 115 (May 2021) by Colette de Castro
Eugen Jebeleanu addresses the problems posed by protesters storming LGBT screenings.

Andrey Konchalovsky’s Dear Comrades! (Dorogie tovarischi!, 2020)

Vol. 115 (May 2021) by Jack Page
Andrey Konchalovsky offers an unstinting vision of the Novocherkassk massacre.

Milica Tomovic’s Celts (Kelti, 2021)

Vol. 115 (May 2021) by Colette de Castro
The private and political spheres intermingle in this personal retelling of the Yugoslav Wars.

Monica Lăzurean-Gorgan, Michaela Kirst and Ebba Sinzinger’s Wood – Game-Changers Undercover (Wood – Der geraubte Wald, 2020)

Vol. 115 (May 2021) by Konstanty Kuzma
How far must we travel to find a forest that is illegally cut down?

Salomé Jashi’s Taming the Garden (2021)

Vol. 114 (April 2021) by Zoe Aiano
The vile story behind an iconic image.

Juja Dobrachkous’ Bebia, à mon seul désir (2021)

Vol. 114 (April 2021) by Daniil Lebedev
Daniil Lebedev approaches Juja Dobrachkous' take on Greek mythology through psychoanalysis.

Vitaly Mansky’s Gorbachev. Heaven (2020)

Vol. 114 (April 2021) by Konstanty Kuzma
Mikhail Gorbachev's legacy during a resurfacing Cold War.

Vitaly Suslin’s Papier-mache (2020)

Vol. 114 (April 2021) by Daniil Lebedev
Can media fantasies fix reality?

Kateryna Gornostai’s Stop-Zemlia (2021)

Vol. 114 (April 2021) by Zoe Aiano
A high school romance that somehow manages to defy common clichés.

Pavel Cuzuioc’s Please Hold the Line (2020)

Vol. 114 (April 2021) by Daniil Lebedev
A cinematic reflection on communication, speech, and silence.
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