Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Andrey A. Tarkovsky’s A Cinema Prayer (2019)

Vol. 106 (Summer 2020) by Isabel Jacobs
In this bio-documentary, Andrey Tarkovsky's son continues nurturing the cult around his father's legacy.

Marko Djordjević’s My Morning Laughter (Moj jutarnji smeh, 2019)

Vol. 106 (Summer 2020) by Mariana Hristova
Marko Djordjević turns to the phenomenon of "mummy's boys" on the Balkans.

Artem Aisagaliev’s Babai (2019)

Vol. 106 (Summer 2020) by Jack Page
Artem Aisagaliev portrays two brothers and their way of coping with the hardships of everyday life.

Masha Novikova’s Daymohk (2019)

Vol. 106 (Summer 2020) by Patricia Bass
A Chechen family's rags-to-riches story is taken with a grain of salt.

David Teboul’s Mon Amour (2020)

Vol. 106 (Summer 2020) by Colette de Castro
A French filmmaker revisits a past love in the Far East.

Lothar Herzog’s 1986 (2019)

Vol. 106 (Summer 2020) by Jack Page
A student from Minsk navigates life between school and her father's nefarious legacy.

Yuriy Hrytsyna’s Varta1 (2014) & Mykola Ridnyi’s Regular Places (2015)

Vol. 105 (May 2020) by Oleksiy Kuchansky
Oleksiy Kuchansky studies the expression of political instability as a form of artistic and political action.

Jan Komasa’s Corpus Cristi (Boże Ciało, 2019) & Wojciech Smarzowski’s Clergy (Kler, 2018)

Vol. 104 (April 2020) by Colette de Castro
Two recent films from Poland reflect on the role of the church in the 21st century.

Four Animated Shorts By Ülo Pikkov

Vol. 104 (April 2020) by Mariana Hristova
Four animated shorts by Ülo Pikkov reveal how the Estonian filmmaker deals with traumas from the past.

Anna Eborn’s Transnistra (2019)

Vol. 103 (March 2020) by Daniil Lebedev
Daniil Lebedev reflects on the power of improvisation in film.
Page 1 of 461234102030...Last »
Send this to a friend