Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Dmytro Hreshko’s Divia (2025)

Vol. 152 (February 2025) by Moritz Pfeifer
Russia’s invasion of Ukraine and the ecological consequences of war.

Sergei Loznitsa’s Two Prosecutors (2025)

Vol. 152 (February 2025) by Moritz Pfeifer
Sergei Loznitsa’s latest film trades insight for aestheticized rebuke.

Srdan Golubović and Ivan Knežević’s Absolute 100 (Apsolutnih 100, 2024)

Vol. 152 (February 2025) by Moritz Pfeifer
In this mini-series, a young woman takes charge, gun in hand.

Dea Kulumbegashvili’s April (Aprili, 2024)

Vol. 151 (January 2025) by Moritz Pfeifer
An obstetrician in rural Georgia provides access to criminalized abortions.

Matevž Jerman and Jurij Meden’s Alpe-Adria Underground! (Ali je bilo kaj avantgardnega, 2024)

Vol. 151 (January 2025) by Isabel Jacobs
A love letter to the obscure figures of Slovenia’s underground cinema.

Pavel Vesnakov’s Windless (Bezvetrije, 2024)

Vol. 151 (January 2025) by Jack Page
A man returns home to bury his estranged father but ends up laying his younger self to rest.

Bogdan Mureșanu’s The New Year that Never Came (Anul Nou care n-a fost, 2024)

Vol. 150 (December 2024) by Jack Page
Jokes and desperation on the eve of the Romanian Revolution.

Matylda Kawka’s My Sunnyside (2025)

Vol. 150 (December 2024) by Jack Page
Polish-American filmmaker Matylda Kawka relates a story of love and perseverance.

Jiří Mádl’s Waves (Vlny, 2024)

Vol. 150 (December 2024) by Tanya Silverman
A new period piece about the Prague Spring provides youth appeal.

Liis Nimik’s Sundial (Päikeseaeg, 2023)

Vol. 150 (December 2024) by Zoe Aiano
Liis Nimik offers a playful but insightful portrait of life in the rural borderlands of Estonia.
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