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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
Archive
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • Archive
Review

László Nemes’ Moulin (2026)

Vol. 166 (Summer 2026) by Manolis Kranakis
László Nemes’ latest film becomes precisely that which it pretends to oppose – a mainstream biopic.
Editorial

Editorial

Vol. 166 (Summer 2026) by Editors
Festival

Cannes 2026

Vol. 166 (Summer 2026) by Editors
Coverage from the 79th Cannes Film Festival (12–23 May).
Review

Andrey Zvyagintsev’s Minotaur (2026)

Vol. 166 (Summer 2026) by Anastasia Eleftheriou
Zvyagintsev returns to themes of guilt and corruption as they relate to modern-day Russia.
Review

Jakub Kučera’s Because I Have To (Podoby milostného vztahu ke světu, 2026)

Vol. 166 (Summer 2026) by Anna Batori
This portrait of Czech conceptual artist Miloš Šejn ritualizes gestures whose meaning it fails to explain.
Review

Judit Elek’s A Hungarian Village (Istenmezején 1972–1973-ban, 1973)

Vol. 166 (Summer 2026) by Zoe Aiano
(Two) girls and the limited choices they face as they transition into adulthood.
Review

Emi Buchwald’s No Ghosts on Good Street (Nie ma duchów w mieszkaniu na Dobrej, 2025)

Vol. 166 (Summer 2026) by Jack Page
A story of self-destructive tension and mutual support.
Festival

TIFF 2026

Vol. 166 (Summer 2026) by Editors
Coverage from the 25th Transilvania International Film Festival in Cluj (12–21 June).
Review

Pepa Lubojacki’s If Pigeons Turned to Gold (Kdyby se holubi proměnili ve zlato, 2026)

Vol. 166 (Summer 2026) by Jack Page
Exploring both the personal experience and the broader conditions of addiction.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

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