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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.
Essay

Maciej Drygas’ Hear My Cry (Usłyszcie mój krzyk!, 1991)

Vol. 84 (April 2018) by Moritz Pfeifer
Moritz Pfeifer locates Maciej Drygas' documentary on the self-immolation of Ryszard Siwiec at the beginning of what can be called the canonization of secret heroes, the rediscovery of political martyrs to construct identity-building historical narratives.
Interview

Marta Prus on Over the Limit

Vol. 81 (January 2018) by Moritz Pfeifer
We met Polish filmmaker Marta Prus to speak about her intimate peek beyond the facade of competitive gymnastics.
Review

Marta Prus’ Over the Limit (2017)

Vol. 81 (January 2018) by Moritz Pfeifer
This film offers a look behind the flashy and effortless facade of gymnastics.
Review

Jan P. Matuszyński’s The Last Family (Ostatnia Rodzina, 2017)

Vol. 81 (January 2018) by Anastasia Eleftheriou
Matuszyński’s debut feature paints unfamiliar fantasies in Poland's years of westernization.
Review

Kasia Rosłaniec’s Satan Said Dance (Szatan kazał tańczyć, 2016)

Vol. 80 (December 2017) by Jack Page
Kasia Rosłaniec's experimental feature depicts the life of an imaginary writer of the "Selfie" generation through 2-minute sequences.
Review

Krzysztof Krauze and Joanna Kos-Krauze’s Birds Are Singing in Kigali (Ptaki śpiewają w Kigali, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
In their last joint project, directing duo Joanna Kos-Krauze and Krzysztof Krauze return to the Rwandan genocide against the backdrop of the current rise of the right.
Interview

Paweł Łoziński on You Have No Idea How Much I Love You

Vol. 76 (Summer 2017) by Rohan Crickmar
This interview was carried out after Łoziński had introduced the German Premiere of You Have No Idea How Much I Love You.
Review

Paweł Łoziński’s You Have No Idea How Much I Love You (Nawet nie wiesz jak bardzo Cię kocham, 2016)

Vol. 76 (Summer 2017) by Zoe Aiano
Paweł Łoziński’s latest documentary creeps towards the edge of cinematic minimalism: three cameras remain firmly fixed on three characters in dialog in a room.
Interview

Kuba Czekaj on The Erlprince

Vol. 73 (March 2017) by Rohan Crickmar
Kuba Czekaj speaks about the themes that drive his work, outside perceptions, and some of his creative decisions.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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