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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Greg Zgliński’s Tiere (Animals, 2017)

Vol. 73 (March 2017) by Rohan Crickmar
Polish-Swiss filmmaker Greg Zglinski communes with the spirits of the dead.
Review

Kuba Czekaj’s The Erlprince (Królewicz Olch, 2017)

Vol. 73 (March 2017) by Rohan Crickmar
Kuba Czekaj's masterfully stylized feature is an eccentric coming-of-age-story.
Interview

Ryszard Bugajski on his Career

Vol. 68 (October 2016) by Paulina Duda
Polish director Ryszard Bugajski speaks about his long filmmaking career, which took him across the Atlantic and back.
Review

Anka and Wilhelm Sasnal’s The Sun, the Sun Blinded Me (2016)

Vol. 68 (October 2016) by Jack Page
In their latest film, the Sasnals adopt the perspective of an isolated misanthrope to tackle issues of racism and xenophobia.
Review

Bartosz M. Kowalski’s Playground (Plac zabaw, 2016)

Vol. 68 (October 2016) by Jack Page
Bartosz Kowalski's controversial debut features follows two school boys as they spread danger and despair.
Review

Ryszard Bugajski’s Interrogation (Przesłuchanie, 2016)

Vol. 68 (October 2016) by Paulina Duda
Paulina Duda revisits Ryszard Bugajski's 1982 Interrogation, which was banned until the fall of Communism for its exposure of Stalinism in Poland.
Review

Tomasz Wasilewski’s United States of Love (Zjednoczone stany miłości, 2016)

Vol. 66 (Summer 2016) by Zoe Aiano
Tomasz Wasilewski's United States of Love intertwines the stories of four women during the post-'89 transitional period.
Review

Wojciech Staroń’s Brothers (Bracia, 2015)

Vol. 66 (Summer 2016) by Zoe Aiano
In Wojciech Staroń’s documentary, two brothers who managed to escape from a Soviet work camp, cannot escape each other.
Review

Elżbieta Benkowska’s, Łukasz Ostalski’s and Michał Wawrzecki’s New World (Nowy Świat, 2015)

Vol. 64 (April 2016) by Julia Zelman
Julia Zelman unveils how the collaborative feature New World challenges discrimination against migrants.
Essay

Karolina Bielawska’s Call me Marianna (2015), Oleg Mavromati’s No Place for Fools (2015), Alina Rudnistkaya’s Victory Day (2015)

Vol. 64 (April 2016) by Susanne Kappesser
Susanne Kappesser looks at these three films that deal with gender and heteronormativity.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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