Already five years have passed since EEFB's Moritz Pfeifer deliberated on the recent trend to make historical biopics not on the lives of statesmen or spiritual leaders, but of intellectuals. As Aleksei German Jr.'s Dovlatov indicates (covered in this month's issue), this trend continues to this day, and has by now reached the cinemas of...
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
