Editorial
Video art, following its marginal older sibling, "experimental film", has long attained the status of a respectable form of artistic expression. Though still considered niche, it is being collected, exhibited, studied, critiqued and taught, and has thus boasted a firm place in our (visual) culture. Unfortunately, the history of video art is often modeled from...
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Vol. 105 (May 2020)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
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