Editorial
This year
ends with a special anniversary for our journal: the publication of our 100th
issue. When we established the East European Film Bulletin in 2011 as
philosophy students in Berlin, the idea of what would become of our project was
only vaguely defined. EEFB was not born out of a manifesto, but out of shared
intuitions regarding aesthetics, and...
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Vol. 100 (December 2019)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
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