The poster of this year’s One World film festival in Prague (March 6-17) showed patches of exclamation marks and question marks in rainbow colors form into the event’s logo, a dot in soft-edged square brackets. For a showcase of human rights documentaries from around the globe, the implicit metaphor of big pictures resulting from a...
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
