Editorial
At the recent Rotterdam Film Festival, EEFB’s Anastasia Eleftheriou joined a panel on the growing interdependencies between film festivals and film criticism. The scheduling of this event could be taken to attest either the festival team’s sensibility for the issues of our time, or, on a more cynical reading, the resilience of structural issues when...
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Vol. 101 (January 2020)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
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