Editorial
In this month’s issue of EEFB, you will find a review of Garage People, a look at the fascinating world of garages populating the outskirts of Russian towns. Behind rusty and seamless doors, documentary filmmaker Natalija Yefimkina finds creative and often ambitious outlets for people’s personal tastes. Notably, an old man presents his grandson with...
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Vol. 103 (March 2020)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
EEFB's Věra Chytilová issue features our first photo-essay. Made by Indian filmmaker Jessica Sadana, it is a meditation on themes from Chytilová's seminal Daisies.
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
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