Editorial
Last month, as the Berlinale kicked off, we wrote about the working conditions at the event and European-wide initiatives to improve the terms of employment of film festival employees. While the working conditions of festival workers remain precarious for a majority of employees, precarity disproportionally affects female employees. As the next big film festival is...
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Vol. 133 (March 2023)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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