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East European Film Bulletin -
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Editorial In 2019, German Chancellor Angela Merkel met with the President of Greece, Prokopis Pavlopoulos. Their conversation covered war reparations, the refugee crisis, and the integration of Balkan counties into the EU. One year earlier, Greece and the then-Republic of Macedonia had signed an agreement at lake Prespa resolving a longstanding naming dispute. Merkel said that... Continue Reading Vol. 135 (May 2023)
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Essay

Teona Strugar Mitevska’s The Happiest Man in the World (Najsreќniot Čovek na Svetot, 2022)

Vol. 135 (May 2023) by Ana Grgić and Antonis Lagarias
What is the role of justice and forgiveness in the process of overcoming collective trauma?
Review

Tünde Skovrán’s Who I Am Not (2023)

Vol. 135 (May 2023) by Antonis Lagarias
This film about intersexuality fails to raise crucial intersectional considerations.
Review

Cristina Groșan’s Ordinary Failures (Běžná selhání, 2022)

Vol. 135 (May 2023) by Mihai Fulger
Three female protagonists face existential challenges as a meteorite crashes onto the earth's surface.
Essay

Vitaly Mansky and Yevhen Titarenko’s Eastern Front (Shidniy front, 2023)

Vol. 135 (May 2023) by Tajana Kosor
Tajana Kosor reflects on the privileged position from which one can forget about and be shocked by war.
Interview

Maja Weiss on Guardian of the Frontier

Vol. 135 (May 2023) by Julia Skala
We sat down with Slovenian filmmaker Maja Weiss to revisit her 2002 debut feature.
Review

Maja Weiss’ Guardian of the Frontier (Varuh Meje, 2002)

Vol. 135 (May 2023) by Julia Skala
A surreal, tense road trip down the Kolpa River in Slovenia.
Essay

Wojciech Has: The Silent Rebel

Vol. 46 (October 2014) by Pau Bosch Santos
Pau Bosch Santos places some of Polish director Wojciech Has' artistic approaches in a biographical context.
Essay

The Philosophical Farce of Daisies

Vol. 88 (October 2018) by Daniel Brennan
Daniel Brennan brings out neglected aspects of Věra Chytilová's 1966 masterpiece through a reading that focuses on its use of farce.
Essay

The Polaroids of Andrei Tarkovsky, 1979-1983

Vol. 17 (May 2012) by Gawan Fagard
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Essay

Symbol and Tradition in Parajanov’s Caucasian Trilogy

Vol. 58 (October 2015) by Moritz Pfeifer
Moritz Pfeifer discusses the symbolic tradition of the pomegranate in the Caucasus and in Parajanov's films.
Essay

Srđan Spasojević’s A Serbian Film (Srpski Film, 2010)

Vol. 78 (October 2017) by Anna Batori
What is the intent and potential rationale behind Srdjan Spasojević's willingly degrading film?
Essay

Věra Chytilová’s Daisies (Sedmikrásky, 1966)

Vol. 28 (April 2013) by Patricia Bass
Patricia Bass compares aspects of Věra Chytilová's Daisies to the American TV-Series The Jersey Shore.
Review

Jan Komasa’s Suicide Room (Sala Samobojcow, 2011)

Vol. 2 (February 2011) by Konstanty Kuzma
Jan Komasa enters into the lives of suicidal people who meet online to share their feelings with fellow-minded souls.
Essay

How a Ukrainian Computer Game Transfigured Folkloric Processes of Remembering

Vol. 65 (May 2016) by Daniel Fuller
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
Review

Kornél Mundruczó’s Delta (2008)

Vol. 29 (May 2013) by Konstanty Kuzma
In this film by Hungarian helmer Kornél Mundruczó, a young man returns to his hometown to settle down.
Review

Jan Hřebejk’s The Holy Quaternity (Svatá Ctverice, 2012)

Vol. 23 (November 2012) by Anastasia Eleftheriou
Jan Hřebejk’s new film examines the endeavors of two couples to spice up their sex lives.
Interview

Marta Prus on Over the Limit

Vol. 81 (January 2018) by Moritz Pfeifer
We met Polish filmmaker Marta Prus to speak about her intimate peek beyond the facade of competitive gymnastics.
Interview

Andrei Butica on Filming Sex

Vol. 78 (October 2017) by Zoe Aiano
We spoke to Romanian cinematographer Andrei Butica on the occasion of our sex-themed issue.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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