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East European Film Bulletin -
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Editorial One of the driving motivations for founding this journal over a decade ago was the observation that cinema is everywhere. Film productions had become so expansive that it was no longer possible to create a film journal without begging questions: what kind of films, made by whom, and where? Back when the Cahiers du cinema... Continue Reading Vol. 131 (January 2023)
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Essay

Slobodan Šijan’s Experimental Films

Vol. 131 (January 2023) by Anna Doyle
Anna Doyle reviews Slobodan Šijan’s experimental films from the 1970s.
Review

Aida Begić’s A Ballad (Balada, 2022)

Vol. 131 (January 2023) by Ana Grgić and Antonis Lagarias
Aida Begić’s latest film resists readymade interpretations when it comes to its representations of life on the Balkans and of feminism.
Review

Anna Shishova’s The New Greatness Case (Ansa Moskovassa, 2022)

Vol. 131 (January 2023) by Colette de Castro
A rare Russian film not shunned by the international film community.
Review

Marek Kozakiewicz’s Silent Love (2022)

Vol. 131 (January 2023) by Zoe Aiano
Marek Kozakiewicz navigates the strengths and ethical challenges of documentary filmmaking.
Interview

Interview with Slobodan Šijan

Vol. 131 (January 2023) by Anna Doyle
We spoke to Slobodan Šijan, major figure of Yugoslav cinema, about the experimental period of his filmmaking.
Interview

Aida Begić on A Ballad

Vol. 131 (January 2023) by Ana Grgić and Antonis Lagarias
A discussion on how the Balkans are perceived abroad and domestically.
Essay

Wojciech Has: The Silent Rebel

Vol. 46 (October 2014) by Pau Bosch Santos
Pau Bosch Santos places some of Polish director Wojciech Has' artistic approaches in a biographical context.
Essay

The Polaroids of Andrei Tarkovsky, 1979-1983

Vol. 17 (May 2012) by Gawan Fagard
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Essay

The Philosophical Farce of Daisies

Vol. 88 (October 2018) by Daniel Brennan
Daniel Brennan brings out neglected aspects of Věra Chytilová's 1966 masterpiece through a reading that focuses on its use of farce.
Essay

Symbol and Tradition in Parajanov’s Caucasian Trilogy

Vol. 58 (October 2015) by Moritz Pfeifer
Moritz Pfeifer discusses the symbolic tradition of the pomegranate in the Caucasus and in Parajanov's films.
Essay

Srđan Spasojević’s A Serbian Film (Srpski Film, 2010)

Vol. 78 (October 2017) by Anna Batori
What is the intent and potential rationale behind Srdjan Spasojević's willingly degrading film?
Essay

Věra Chytilová’s Daisies (Sedmikrásky, 1966)

Vol. 28 (April 2013) by Patricia Bass
Patricia Bass compares aspects of Věra Chytilová's Daisies to the American TV-Series The Jersey Shore.
Essay

How a Ukrainian Computer Game Transfigured Folkloric Processes of Remembering

Vol. 65 (May 2016) by Daniel Fuller
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
Review

Jan Komasa’s Suicide Room (Sala Samobojcow, 2011)

Vol. 2 (February 2011) by Konstanty Kuzma
Jan Komasa enters into the lives of suicidal people who meet online to share their feelings with fellow-minded souls.
Review

Kornél Mundruczó’s Delta (2008)

Vol. 29 (May 2013) by Konstanty Kuzma
In this film by Hungarian helmer Kornél Mundruczó, a young man returns to his hometown to settle down.
Interview

Marta Prus on Over the Limit

Vol. 81 (January 2018) by Moritz Pfeifer
We met Polish filmmaker Marta Prus to speak about her intimate peek beyond the facade of competitive gymnastics.
Review

Jan Hřebejk’s The Holy Quaternity (Svatá Ctverice, 2012)

Vol. 23 (November 2012) by Anastasia Eleftheriou
Jan Hřebejk’s new film examines the endeavors of two couples to spice up their sex lives.
Interview

Andrei Butica on Filming Sex

Vol. 78 (October 2017) by Zoe Aiano
We spoke to Romanian cinematographer Andrei Butica on the occasion of our sex-themed issue.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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