Radu Jude’s Bad Luck Banging or Loony Porn (Babardeală cu bucluc sau porno balamuc, 2021)

Vol. 112 (February 2021) by Zoe Aiano
A sex tape featuring a female teacher goes viral, exposing society's double standards and much else.

Lucian Pintilie’s Niki and Flo (Niki Ardelean, colonel în rezervă, 2003)

Vol. 112 (February 2021) by Lucian Tion
Lucian Tion examines how the failure of Niki and Flo prefigures the successes of the Romanian New Wave.

The role of montage in Radu Jude’s The Exit of the Trains (Ieşirea trenurilor din gară, 2020)

Vol. 112 (February 2021) by Anastasia Eleftheriou
This film examines and questions how we can document and remember the atrocities of the Iași pogroms.

Marian Crişan’s The Campain (Berliner, 2020)

Vol. 111 (January 2021) by Antonis Lagarias
Corruption and cynicism dominate Marian Crişan’s trite portrait of political culture.

Radu Ciorniciuc’s Acasa, My Home (2020)

Vol. 111 (January 2021) by Konstanty Kuzma
This documentary dramatizes the eviction of a family from what is to become a natural park.

Radu Jude’s Uppercase Print (Tipografic majuscul, 2020)

Vol. 103 (March 2020) by Zoe Aiano
Radu Jude continues to pursue two missions that have come to define his career.

Alex Brendea’s Teach (Profu’, 2019)

Vol. 99 (November 2019) by Zoe Aiano
Alex Brendea reverses the dynamics of the classic one-man versus the broken system narrative.

Cătălin Mitulescu’s Heidi (2019)

Vol. 97 (September 2019) by Lucian Tion
Cătălin Mitulescu embraces the style and themes of the Romanian New Wave with this story about the ethics of police conduct.

Radu Dragomir’s Mo (2019)

Vol. 96 (Summer 2019) by Colette de Castro
Radu Dragomir applies the living legacy of the Romanian New Wave to themes of the present.

Trevor Poots’ Romania’s English Queen (Maria, inima României, 2018)

Vol. 96 (Summer 2019) by Colette de Castro
This recent documentary looks at the adventurous life of Queen Marie of Romania.
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