• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Olga Gibelinda’s Queens of Joy (Korolevy radosti, 2025)

Vol. 149 (November 2024) by Jack Page
A film on the defiance to thrive rather than survive.
Review

Sergei Loznitsa’s The Invasion (2024)

Vol. 148 (October 2024) by Isabel Jacobs
Sergei Loznitsa has assembled a feature film from dozens of short films shot after Russia’s full-scale invasion of Ukraine.
Interview

Sergei Loznitsa on The Invasion

Vol. 148 (October 2024) by Isabel Jacobs
Sergei Loznitsa discusses his latest film that portrays life during Russia’s full-scale invasion of Ukraine.
Review

Dmytro Moiseiev’s Grey Bees (Siri bdzholy, 2024)

Vol. 143 (March 2024) by Antonis Lagarias
On the disappearance of blurry lines during war.
Review

Nate Pommer and Eric Weinrib’s Scream of My Blood: A Gogol Bordello Story (2023)

Vol. 138 (October 2023) by Colette de Castro
This documentary portrays the musician Eugene Hütz and his eventful life.
Essay

Vitaly Mansky and Yevhen Titarenko’s Eastern Front (Shidniy front, 2023)

Vol. 135 (May 2023) by Tajana Kosor
Tajana Kosor reflects on the privileged position from which one can forget about and be shocked by war.
Review

Vitaly Mansky and Yevhen Titarenko’s Eastern Front (Shidniy front, 2023)

Vol. 133 (March 2023) by Jack Page
The visceral horrors of war as witnessed by a paramedic.
Review

Alisa Kovalenko’s We Will Not Fade Away (My ne zgasnemo, 2023)

Vol. 132 (February 2023) by Zoe Aiano
A portrait of the youth in a community that has been uprooted by war.
Interview

Alisa Kovalenko on We Will Not Fade Away

Vol. 132 (February 2023) by Zoe Aiano
Alisa Kovalenko discusses the process behind her latest documentary feature.
Review

Dmytro Sukholytkyy-Sobchuk’s Pamfir (2022)

Vol. 128 (October 2022) by Antonis Lagarias
Escaping precarity in the Ukrainian countryside.
Page 1 of 71234»...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT