Yarema Malashchuk and Roman Himey’s New Jerusalem (Zarvantisia, 2019)

Vol. 108 (October 2020) by Colette de Castro
This documentary portrays a yearly pilgrimage in Ukraine.

Daria Onyshchenko’s The Forgotten (Zabuti, 2019)

Vol. 108 (October 2020) by Colette de Castro
Daria Onyshchenko dramatizes the fate of the internally displaced in Ukraine.

[Western] Ukrainian Media Art of the late 1980s and early 1990s

Vol. 105 (May 2020) by Bohdan Shumylovych
Bohdan Shumylovych revisits the emergence of video art in Lviv in 1993.

Yuriy Hrytsyna’s Varta1 (2014) & Mykola Ridnyi’s Regular Places (2015)

Vol. 105 (May 2020) by Oleksiy Kuchansky
Oleksiy Kuchansky studies the expression of political instability as a form of artistic and political action.

Ukrainian Video Art in the 1990s and 2000s

Vol. 105 (May 2020) by Ianina Prudenko
Ianina Prudenko recounts the emergence of a Ukrainian Video Art scene.

Interview with Aleksandr Balagura

Vol. 105 (May 2020) by Anna Doyle
Aleksandr Balagura speaks about the themes and aesthetic ideals ranging over his work.

Aleksandr Balagura’s Antologion (Ukrainian Film) (1996)

Vol. 105 (May 2020) by Anna Doyle
Anna Doyle revisits Balagura's Antologion on the occasion of our special issue on Ukrainian video art.

Iryna Tsilyk’s The Earth Is Blue as an Orange (2020)

Vol. 103 (March 2020) by Zoe Aiano
This film explores everyday life and the role of storytelling in a recovering war zone.

Valentyn Vasyanovych’s Atlantis (2019)

Vol. 102 (February 2020) by Anastasia Eleftheriou
Valentyn Vasyanovych's outlook on future life in Ukraine is dominated by static tableaux, and pessimism.

Sergei Paradjanov’s Kiev Frescoes (Kievski Freski, 1966)

Vol. 103 (March 2020) by Anna Doyle
Anna Doyle revisits Paradjanov's unfinished post-WWII project, which was originally intended as a feature length film.
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