• Perspectives
  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Retrospectives
Reflections on stand-out films of the past.

Essay

[Western] Ukrainian Media Art of the late 1980s and early 1990s

Vol. 105 (May 2020) by Bohdan Shumylovych
Bohdan Shumylovych revisits the emergence of video art in Lviv in 1993.
Essay

Ukrainian Video Art in the 1990s and 2000s

Vol. 105 (May 2020) by Ianina Prudenko
Ianina Prudenko recounts the emergence of a Ukrainian Video Art scene.
Essay

Aleksandr Balagura’s Antologion (Ukrainian Film) (1996)

Vol. 105 (May 2020) by Anna Doyle
Anna Doyle revisits Balagura's Antologion on the occasion of our special issue on Ukrainian video art.
Review

Marek Piwowski’s The Cruise (Rejs, 1970)

Vol. 104 (April 2020) by Julia Weir
Julia Weir revisits this Polish cult film and the story behind its unlikely release.
Essay

Vladimir Motyl’s The White Sun of the Desert (Beloye solntse pustyni, 1970)

Vol. 104 (April 2020) by Isaac W. R. Miller
Isaac W. R. Miller revisits Soviet Colonial ideology through a reading of this 1970 classic.
Essay

Sergei Paradjanov’s Kiev Frescoes (Kievski Freski, 1966)

Vol. 103 (March 2020) by Anna Doyle
Anna Doyle revisits Paradjanov's unfinished post-WWII project, which was originally intended as a feature length film.
Review

Lana Gogoberidze’s Some Interviews on Personal Matters (Ramdenime interviu pirad sakitkhebze, 1978)

Vol. 100 (December 2019) by Antonis Lagarias
A woman journalist interviews women on personal matters, thereby unveiling the patriarchal and oppressive fabric of society.
Review

Sally Potter’s I Am An Ox, I Am A Horse, I Am A Man, I Am A Woman (1987)

Vol. 100 (December 2019) by Antonis Lagarias
In this documentary commissioned by British television, Sally Potter dealt with the role of women in the Soviet film industry.
Review

Sergey Dvortsevoy’s Bread Day (Khlebnyy den, 1998)

Vol. 99 (November 2019) by Zoe Aiano
A remote village, recurrent routines and a straightforward filmmaking approach harmonize in Dvortsevoy’s early documentary.
Essay

Socialism in the Films of Kira Muratova

Vol. 98 (October 2019) by Masha Shpolberg
Masha Shpolberg examines the role of Socialist tropes and symbols in the films of Kira Muratova.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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