Alexander Zeldovich’s Medea (2021)

Vol. 121 (January 2022) by Jack Page
This modern adaption of Euripides' play is centered around a strong yet unrelatable anti-heroine.

Maria Ignatenko’s Achrome (Pryzrachno-belyi, 2022)

Vol. 121 (January 2022) by Jack Page
Maria Ignatenko considers the role of nostalgia and accountability in our relation to WWII.

Paweł Łoziński’s The Balcony Movie (Film Balkonowy, 2021)

Vol. 121 (January 2022) by Konstanty Kuzma
Paweł Łoziński’s film of the hour was entirely shot from his balcony.

Danis Tanović’s Not So Friendly Neighborhood Affair (Deset u pola, 2021)

Vol. 121 (January 2022) by Konstanty Kuzma
Danis Tanović addresses regional conflicts in the Balkans with tongue in cheek.

Kaltrina Krasniqi’s Vera Dreams of the Sea (Vera Andrron Detin, 2021)

Vol. 120 (December 2021) by Ana Grgić and Gjergj Mosko
A debut feature about female empowerment in a patriarchal society.

Stefan Arsenijević’s As Far As I Can Walk (Strahinja Banović, 2021)

Vol. 120 (December 2021) by Ana Grgić and Antonis Lagarias
Stefan Arsenijević adapts a Serbian epic poem as a migrant love story.

Liana Makaryan’s Running After Wall (Beg za stenoj, 2019)

Vol. 120 (December 2021) by Daniil Lebedev
In this animated short, child and father reconvene in a dreamscape.

Elina Bolshenkova, Rupert Clervaux and Stas Sharifullin’s Revolution 0 (2021) & Katerina Bychkova and Taya Galkova’s Katya (2021)

Vol. 120 (December 2021) by Anna Doyle
Two experimental fusions of poetry and music point to a way out of solipsism.

Elitza Gueorguieva’s Our Quiet Place (Un endroit silencieux, 2021)

Vol. 119 (November 2021) by Zoe Aiano
Two young women of Eastern European origin bond over a shared quest to master the French language.

Maradia Tsaava’s Water Has No Borders (Tskals sazghvrebi ar akvs, 2021)

Vol. 119 (November 2021) by Zoe Aiano
The Engari dam straddles Georgian and Abkhazian territory, thus being at the center of both geopolitical and personal realities.
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