Review

Adina Pintilie’s Touch Me Not (2018)

In her experimental and personal feature that won her the main award at the 2018 Berlinale, Adina Pintilie meditates on the theme of intimacy.

Hotel Jugoslavija charts the concomitant rise and fall of the eponymous building in Belgrade and the country from which it takes its name.

Iveta Grófová’s latest feature, painted in blue, is a film told from the perspective of a 10-year old girl.

Lukáš Kokeš and Klára Tasovská took to a Czech border town to portray four local students in the lead up to their final exams.

Carlos Kong revisits the histories of deception depicted in this Prague Spring-themed feature.

Daniil Lebedev recounts the feeling of shock attending the filming and unfolding of the Prague Spring.

This late 1990s film recounts the normality of everyday life leading up to the Prague Spring.

Aleksei German Jr. follows the recent trend of biopics with his portrait of Armenian-Jewish writer Sergei Dovlatov.

Uricaru's debut feature is an embittered and scathing vision of immigrant life in contemporary America.

This Slovak-Ukrainian co-production picks up two themes whose relevance has only increased since its release last year.