• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Bartosz M. Kowalski’s Playground (Plac zabaw, 2016)

Vol. 68 (October 2016) by Jack Page
Bartosz Kowalski's controversial debut features follows two school boys as they spread danger and despair.
Review

Sofia Exarchou’s Park (2016)

Vol. 68 (October 2016) by Jack Page
Sofia Excarchou examines the aftermath of Greece's ongoing, economic crisis through a story revolving around children.
Review

Emir Kusturica’s On the Milky Road (Na mlečnom putu, 2016)

Vol. 68 (October 2016) by Zoe Aiano
His latest strike proves once again that Kusturica is unwilling to bow to the rules of logic and good taste.
Review

Jiří Sádek’s The Noonday Witch (Polednice, 2016)

Vol. 68 (October 2016) by Zoe Aiano
Jiří Sádek's folk-inspired horror film gets entangled in awkward moralizing.
Review

Kadri Kõusaar’s Mother (Ema, 2016)

Vol. 68 (October 2016) by Jack Page
In Kadri Kõusaar’s feature, a village is shook by a mysterious murder.
Review

Ryszard Bugajski’s Interrogation (Przesłuchanie, 2016)

Vol. 68 (October 2016) by Paulina Duda
Paulina Duda revisits Ryszard Bugajski's 1982 Interrogation, which was banned until the fall of Communism for its exposure of Stalinism in Poland.
Review

Martti Helde’s In the Crosswind (Risttuules, 2016)

Vol. 68 (October 2016) by Isabelle de Pommereau
Isabelle de Pommereau recounts the history of Martti Helde’s ambitious debut.
Review

Ivan Tverdovsky’s Zoology (Zoologiya, 2016)

Vol. 67 (September 2016) by Colette de Castro
A middle-aged zoo worker reinvents herself after starting to grow a tail in this unconvential feature by Ivan Tverdovsky.
Review

Klára Trencsényi’s Train to Adulthood (Reményvasút, 2015)

Vol. 67 (September 2016) by Zoe Aiano
Klára Trencsényi’s symbol-laden feature offers a biting critique of the modern social state.
Review

Radu Jude’s Scarred Hearts (Inimi cicatrizate, 2016)

Vol. 67 (September 2016) by Zoe Aiano
Radu Jude's innovative feature is based on the writings of Romanian author Max Blecher.
Page 30 of 63« First...1020«29303132»405060...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • SUPPORT US

© 2023 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT