Michal Hogenauer’s Tambylles (2012)

Vol. 18 (June 2012) by Colette de Castro
Michal Hogenauer’s short about a teenage delinquent screened in the Cinéfondation selection of this year’s Cannes Film Festival.

Paul Negoescu’s Horizon (Orizont, 2012)

Vol. 17 (May 2012) by Konstanty Kuzma
Paul Negoescu’s short film follows a lonely fisherman.

Aida Begić’s Children of Sarajevo (2012)

Vol. 17 (May 2012) by Colette de Castro
Aida Begić’s new film concentrates on two young people, orphans of war.

Ilian Metev’s Sofia’s Last Ambulance (Poslednata Lineika na Sofia, 2012)

Vol. 17 (May 2012) by Konstanty Kuzma
In his documentary, Bulgarian filmmaker Ilian Metev portrays the crew of an overworked ambulance

Sergei Loznitsa’s In the Fog (V Tumane, 2012)

Vol. 17 (May 2012) by Konstanty Kuzma
In Sergei Loznitsa’s second feature, an innocent man faces unjust retribution.

Cristian Mungiu’s Beyond the Hills (După dealuri, 2012)

Vol. 17 (May 2012) by Konstanty Kuzma
In Cristian Mungiu’s fourth feature, a troubled woman returns home from abroad to seek help from an old friend…

Sergei Loznitsa’s Blockade (Blokada, 2006)

Vol. 17 (May 2012) by Konstanty Kuzma
Konstanty Kuzma saw Sergei Loznitsa’s documentary on the Siege of Leningrad.

Sergei Loznitsa’s Segodnya My Postroim Dom (1996), Zhizn, Osen (1998), Polustanok (2000)

Vol. 16 (April 2012) by Moritz Pfeifer
Moritz Pfeifer discusses Sergei Loznitsa’s first three films.

Bojan Vuletić’s A Practical Guide to Belgrade with Singing and Crying (Prakticni vodic kroz Beograd sa pevanjem i plakanjem, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Vuletić's episodic comedy is wrapped as a tourist guide for Belgrade, but seems to be more useful to Serbs than to foreigners.

Srđan Keča’s A Letter to Dad (Pismo ocu, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Serbian director Srđan Keča writes a letter to his deceased father.
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