Mila Turajlić’s Cinema Komunisto (2011)

Vol. 35 (November 2013) by Moritz Pfeifer
Director Mila Turajlić revisits the dark and glorious historical moments of Yougoslavia’s first film studio.

Katarzyna Roslaniec’s Baby Blues (2012)

Vol. 35 (November 2013) by Ana Ribeiro
The second feature by Polish filmmaker Katarzyna Roslaniec portrays adolescent life in capitalist Eastern Europe.

Şerban Oliver Tătaru’s Anatomy of a Departure (Anatomie des Weggehens, 2012)

Vol. 35 (November 2013) by Konstanty Kuzma
Romanian filmmaker Şerban Oliver Tătaru rethinks his family's move to Germany during his teenage years.

Nimród Antal’s Kontroll (2003)

Vol. 34 (October 2013) by Konstanty Kuzma
Konstanty Kuzma retraces Nimród Antal’s career from ambitious beginnings to a conventional Hollywood career.

Andrzej Munk’s Bad Luck (Zezowate szczęście, 1960)

Vol. 34 (October 2013) by Julia Zelman
Julia Zelman looks at this film's main character, comparing him to other heroes of the time.

Rusudan Chkonia’s Keep Smiling (Gaigimet, 2012)

Vol. 34 (October 2013) by Colette de Castro
Rusudan Chkonia’s film revolves around a contest which claims to be seeking the "perfect mother".

János Szász’s Opium: Diary of a Madwoman (Ópium: Egy elmebeteg nö naplója, 2007)

Vol. 33 (September 2013) by Patricia Bass
Patricia Bass addresses director János Szász's unimaginative obsession with shock and wickedness.

Ildikó Enyedi’s My Twentieth Century (Az én XX. századom, 1989)

Vol. 33 (September 2013) by Konstanty Kuzma
In this Hungarian film by Ildikó Enyedi, Dorothy Segda takes on the roles of two sisters whose dissimilar lifestyles illustrate modernity's polarity.

Benedek Fliegauf’s Womb (2010)

Vol. 32 (August 2013) by Konstanty Kuzma
Konstanty Kuzma saw Benedek Fliegauf’s English-language debut.

Radim Špaček’s Rapid Eye Movement (Rychlé pohyby očí, 1998)

Vol. 32 (August 2013) by Julia Zelman
Julia Zelman saw Radim Špaček's 1998 debut.
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