Giorgi Ovashvili’s Corn Island (Simindis kundzuli, 2014)

Vol. 45 (September 2014) by Lilla Puskás
Corn Island is an allegorical kammerspiel about unresolved border issues between Georgia and its separatist.

Viktor Taus’s Clownwise (Klauni, 2013)

Vol. 45 (September 2014) by Colette de Castro
Clownwise is a comedy about a clowning trio whose members reunite after one of them returns from France.

Petr Václav’s The Way Out (Cesta Ven, 2014)

Vol. 44 (August 2014) by Lilla Puskás
Lilla Puskás lauds the way how Roma protagonists are represented in this movie, which is one of the few Czech Roma films.

Wojciech Smarzowski’s Traffic Department (Drogówka, 2013)

Vol. 44 (August 2014) by Konstanty Kuzma
In Traffic Department, a police officer learns first-hand what it means to be accused of a wrongdoing...

István Szabó’s Sweet Emma, Dear Böbe (Édes Emma, drága Böbe – vázlatok, aktok, 1992)

Vol. 44 (August 2014) by Moritz Pfeifer
István Szabó's most improvised film is also his most unique. The film was shot with no budget in the immediacy of the crumbling Kádár/Grosz regime in 1992.

Miroslav Krobot’s Nowhere in Moravia (Díra u Hanušovic, 2014)

Vol. 44 (August 2014) by Colette de Castro
Miroslav Krobot is known for his roles as mysterious loners. What can we expect from him as a director?

Sonja Prosenc’s The Tree (Drevo, 2014)

Vol. 43 (July 2014) by Colette de Castro
A family is forced to stay in their house under mysterious circumstances.

Signe Baumane’s Rocks in My Pockets (2014)

Vol. 43 (July 2014) by Colette de Castro
The courageous debut by Signe Baumane uses the example of her family to question her own sanity.

Andrzej Jakimowski’s Imagine (2013)

Vol. 43 (July 2014) by Julia Zelman
Imagine is about a blind man who arrives at a clinic in a Lisbon monastery to teach some slightly hostile children...

Amei Wallach’s Ilya and Emilia Kabakov: Enter Here (2013)

Vol. 43 (July 2014) by Patricia Bass
The 2013 documentary on Ilya and Emilia Kabakov’s work shows a struggle with questions of national, generational, and even ideological belonging.
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