Editorial

Vol. 10 (October 2011) by Editors

Adrian Sitaru on Best Intentions

Vol. 10 (October 2011) by Konstanty Kuzma
Sitaru speaks about his protagonist Alex, the idea behind the film, and subjective cinema.

Lucian Pintilie’s The Reenactment (Reconstituirea, 1967)

Vol. 10 (October 2011) by Konstanty Kuzma
In his essay on Pintilie's The Reenactment, Konstanty Kuzma thinks about political and aesthetic fictions.

Cristian Mungiu’s Occident (2002)

Vol. 10 (October 2011) by Moritz Pfeifer
Moritz Pfeifer comments on Cristian Mungiu's debut and aspects of post-Soviet fear of "Westernization."

Andrzej Wajda’s Man of Marble (Czlowiek z marmuru, 1976)

Vol. 10 (October 2011) by Stefania Marghitu
Stefania Marghitu takes a look at Andrej Wajda's famous Man of Marble.

Uldis Brauns’ 235 000 000 (1967)

Vol. 10 (October 2011) by Mihai Fulger
Mihai Fulger discusses this documentary about the Soviet population of the 60s from the Rīga Film Studio.

Adrian Sitaru’s Hooked (Pescuit sportiv, 2009)

Vol. 10 (October 2011) by Konstanty Kuzma
Adrian Sitaru's debut tells the story of a couple that sets out on a picnic trip where they are joined by an odd stranger.

Adrian Sitaru’s Best Intentions (Din dragoste cu cele mai bune intentii, 2011)

Vol. 10 (October 2011) by Moritz Pfeifer
In Adrian Sitaru's second feature film Best Intentions, an overprotective son tries to look after his sick mother.