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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 63 (March 2016) by Editors
Festival

Vilnius 2016

Vol. 63 (March 2016) by Editors
Live coverage from the Vilnius Film Festival (March 31-April 14).
Review

Petr Václav’s We Are Never Alone (Nikdy nejsme sami, 2016)

Vol. 63 (March 2016) by Moritz Pfeifer
In his recognizable follow-up to We Are Never Alone, Peter Václav falls victim to his own narrative pitfalls.
Review

Laila Pakalniņa’s The Shoe (Kurpe, 1998)

Vol. 63 (March 2016) by Zoe Aiano
Zoe Aiano joins EEFB with a review of Laila Pakalniņa's elusive debut feature from 1998.
Review

Renars Vimba’s Mellow Mud (Es esmu šeit, 2016)

Vol. 63 (March 2016) by Konstanty Kuzma
Like many coming-of-age-stories, Mellow Mud by first-time director Renārs Vimba struggles with over-identification.
Review

Petr Kazda and Tomas Weinreb’s I, Olga Hepnarova (Já, Olga Hepnarová, 2016)

Vol. 63 (March 2016) by Rohan Crickmar
I, Olga Hepnarova is a masterfully shot slow-burner about an unlikely murderer.
Review

Alexei Fedorchenko’s Angels of Revolution (Angely Revoluciji, 2014)

Vol. 63 (March 2016) by Moritz Pfeifer
Experimental as ever, Alexei Fedorchenko makes revolutionaries clash with indigenous people.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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