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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Nimród Antal’s The Whiskey Robber (A Viszkis 2017)

Vol. 81 (January 2018) by Anna Batori
This film about a post-Socialist folk hero is overwhelmed by the miscellaneous facets of its subject matter.
Review

Roland Vranik’s The Citizen (Az állampolgár, 2016)

Vol. 80 (December 2017) by Anna Batori
This Hungarian feature tries to make debates about the refugee crisis emotionally accessible.
Essay

Srđan Spasojević’s A Serbian Film (Srpski Film, 2010)

Vol. 78 (October 2017) by Anna Batori
What is the intent and potential rationale behind Srdjan Spasojević's willingly degrading film?
Review

György Pálfi’s Free Fall (Szabadesés, 2014)

Vol. 74 (April 2017) by Anna Batori
In keeping with its author's handwriting, György Pálfi's film is a gory visit to adventureland.
Review

Kamen Kalev’s Eastern Plays (Iztochni piesi, 2009)

Vol. 71 (January 2017) by Anna Batori
Kamen Kalev takes on the unrealistic aim of cramming Bulgaria's post-Communist transition into his debut.
Review

Szabolcs Hajdu’s It’s Not the Time of My Life (Ernelláék Farkaséknál, 2016)

Vol. 70 (December 2016) by Anna Batori
Szabolcs Hajdu is back with a feature starring his family as cast and their apartment as setting.
Review

Levan Koguashvili’s Street Days (Quchebis dgeebi, 2010)

Vol. 56 (August 2015) by Anna Batori
Anna Batori saw Levan Koguashvili’s Street Days, which revolves around a heroin addict's plight, and his quest for dignity.
Review

Levan Zaqareishvili’s Tbilisi, Tbilisi (Tbiliso, Tbiliso, 2005)

Vol. 51 (March 2015) by Anna Batori
Anna Batori reviews this well-known Georgian film in the context of its meta-commentary on the Georgian film industry.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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