Kirill Serebrennikov’s Petrov’s Flu (Petrоvy v grippe, 2021)

Vol. 118 (October 2021) by Antonis Lagarias
What, if anything, does Serebrennikov's film tell us about contemporary Russia?

Andrei Gruzsniczki’s No Rest For The Old Lady (După 40 de zile, 2021)

Vol. 118 (October 2021) by Antonis Lagarias
This film questions the longevity of friendship against the backdrop of local customs.

Sergei Loznitsa’s Babi Yar. Context (2021)

Vol. 116 (Summer 2021) by Antonis Lagarias
Sergei Loznitsa revisits another dark chapter in the history of the 20th century.

Marian Crişan’s The Campain (Berliner, 2020)

Vol. 111 (January 2021) by Antonis Lagarias
Corruption and cynicism dominate Marian Crişan’s trite portrait of political culture.

Siamak Etemadi’s Pari (2020)

Vol. 111 (January 2021) by Antonis Lagarias
A woman loses herself while searching for her son in the streets of Athens.

Maria Yatskova’s Miss Gulag (2007)

Vol. 108 (October 2020) by Antonis Lagarias
Can this film about a Siberian prison for female offenders unveil the unseen?

Daniil Zinchenko’s Tinnitus (2019)

Vol. 102 (February 2020) by Antonis Lagarias
In his creative documentary, Daniil Zinchenko approaches Death by portraying a 90s underground scene.

Carolin Koss’ Copper Mountains (2019)

Vol. 102 (February 2020) by Antonis Lagarias
This environmental documentary raises questions about the efficacy of political filmmaking.

Lana Gogoberidze’s Some Interviews on Personal Matters (Ramdenime interviu pirad sakitkhebze, 1978)

Vol. 100 (December 2019) by Antonis Lagarias
A woman journalist interviews women on personal matters, thereby unveiling the patriarchal and oppressive fabric of society.

Sally Potter’s I Am An Ox, I Am A Horse, I Am A Man, I Am A Woman (1987)

Vol. 100 (December 2019) by Antonis Lagarias
In this documentary commissioned by British television, Sally Potter dealt with the role of women in the Soviet film industry.
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