Antonis Lagarias

Marian Crişan’s The Campain (Berliner, 2020)

Corruption and cynicism dominate Marian Crişan’s trite portrait of political culture.

A woman loses herself while searching for her son in the streets of Athens.

Can this film about a Siberian prison for female offenders unveil the unseen?

In his creative documentary, Daniil Zinchenko approaches Death by portraying a 90s underground scene.

This environmental documentary raises questions about the efficacy of political filmmaking.

A woman journalist interviews women on personal matters, thereby unveiling the patriarchal and oppressive fabric of society.

In this documentary commissioned by British television, Sally Potter dealt with the role of women in the Soviet film industry.

Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.

Nariman Aliev depicts the wounds that deportations and population exchange leave open in the minds and souls of the affected.