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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Beata Parkanová’s The Word (Slovo, 2022)

Vol. 125 (May 2022) by Jack Page
A story of dissident dissent.
Review

Christos Passalis’ Silence 6-9 (Isihia 6-9, 2022)

Vol. 125 (May 2022) by Jack Page
Grief and loneliness in a not-so-distant future.
Review

Tomasz Wasilewski’s Fools (Głupcy, 2022)

Vol. 125 (May 2022) by Jack Page
Tomasz Wasilewski's fourth feature is a disturbing domestic drama.
Review

Lyubov Arkus’ What Beat You Nothing (Kto tebya pobedil nikto, 2021)

Vol. 122 (February 2022) by Jack Page
A love letter to iconic actress Alla Demidova.
Review

Tamara Dondurey’s Stand By Me (Ryadom, 2022)

Vol. 122 (February 2022) by Jack Page
A young woman spirals into depression after a tragic loss.
Review

Alexander Zeldovich’s Medea (2021)

Vol. 121 (January 2022) by Jack Page
This modern adaption of Euripides' play is centered around a strong yet unrelatable anti-heroine.
Review

Maria Ignatenko’s Achrome (Pryzrachno-belyi, 2022)

Vol. 121 (January 2022) by Jack Page
Maria Ignatenko considers the role of nostalgia and accountability in our relation to WWII.
Review

Stefan Pavlović’s Looking for Horses (2021)

Vol. 119 (November 2021) by Jack Page
A documentary reflection on trauma and the power of friendship.
Review

Andrey Konchalovsky’s Dear Comrades! (Dorogie tovarischi!, 2020)

Vol. 115 (May 2021) by Jack Page
Andrey Konchalovsky offers an unstinting vision of the Novocherkassk massacre.
Review

Elvin Adigozel’s Bilesuvar (2020)

Vol. 112 (February 2021) by Jack Page
Elvin Adigozel's latest film paints a piecemeal portrait of the mundane.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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