• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Rati Oneli’s City of the Sun (Mzis qalaqi, 2017)

Vol. 72 (February 2017) by Moritz Pfeifer
Georgian documentarian Rati Oneli takes a spiritual look at the social and urban decay of a mining town.
Interview

Salomé Jashi on The Dazzling Light of Sunset

Vol. 67 (September 2016) by John A. Riley
Jashi speaks about making The Dazzling Light, the role of media in Georgia, and funding problems in the country.
Review

Salomé Jashi’s The Dazzling Light of Sunset (Daisis miziduloba, 2016)

Vol. 67 (September 2016) by John A. Riley
Salomé Jashi reflects on the role of local media from the perspective of a small community in rural Georgia.
Review

Otar Iosseliani’s Winter Song (Chant d’hiver, 2015)

Vol. 60 (December 2015) by Moritz Pfeifer
Moritz Pfeifer saw Winter Song, Otar Iosseliani’s attempt to reanimate his trademark comedic style.
Essay

Adaptation and Other Demons

Vol. 60 (December 2015) by Aka Morchiladze
Georgian writer, historian and screenwriter Aka Morchiladze examines the phenomenon of literary adaptations in the Soviet Union, and in Georgia in particular.
Review

Imam Hasanov’s Holy Cow (2015) and Salome Machaidze’s, David Meskhi’s and Tamuna Karumidze’s When the Earth Seems to Be Light (2015)

Vol. 60 (December 2015) by Konstanty Kuzma
Deeply skeptical of tradition, these two Caucasian documentaries look towards Europe for salvation.
Review

Otar Iosseliani’s April (Aprili, 1962)

Vol. 60 (December 2015) by Julia Zelman
Julia Zelman searches for meaning in Otar Iosseliani’s elusive directorial debut.
Special Issue

Food Issue

Vol. 58 (October 2015) by Editors
We looked at Caucasian and Balkan films that relate to food and the table.
Interview

Florian Mühlfried on the Georgian Table

Vol. 58 (October 2015) by Konstanty Kuzma
We discussed the "supra" - the Georgian table - with German anthropologist Florian Mühlfried on the occasion of our special food-themed issue.
Essay

Otar Iosseliani’s Falling Leaves (Giorgobistve, 1966)

Vol. 58 (October 2015) by Konstanty Kuzma
Konstanty Kuzma looks at the way Iosseliani's film uses the Georgian "supra" feast to contrast two ways of living.
Page 3 of 6« First...«2345»...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT