Serge Avedikian and Olena Fetisova accompany Sergei Paradjanov from his early career in Ukraine to the later stages of his life, which he spent in Georgia and Armenia.
Vinko Brešan’s film starts as ludic and ends as lugubrious. Fabijan, a young priest, eagerly seeks to find his place in an idyllic Croatian island town...
Aaron Khandros analyzes Night Train with regards to the new normative order of post-War Poland, relating it to unsolved episodes and traumas of Poland's recent past...
This filmic panoply of horror reveals Juraj Lehotský's ambition to make cinema a means to plunge into Slovakia’s imagined depths of misery and keep breathing.
László Strausz (Eötvös Loránd University) surveys the narrational and stylistic tactics engaged by contemporary Hungarian directors in their representation of the historical past.
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