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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Haidy Kancler’s Melting Dreams (2022)

Vol. 123 (March 2022) by Ana Grgić and Antonis Lagarias
This documentary stumbles over its own expectations in telling the story of three Afghani girls training for the Olympics.
Review

Marko Šantić’s Together (Skupaj, 2018)

Vol. 95 (May 2019) by Moritz Pfeifer
This well-meaning film about a legal battle over same-sex marriage ends up idealizing democratic compromise.
Review

Damjan Kozole’s Spare Parts (Rezervni deli, 2003)

Vol. 92 (February 2019) by Alice Heneghan
Shocking events such as the trafficking of illegal immigrants happen much closer to home than people often expect.
Interview

Damjan Kozole on his Films

Vol. 92 (February 2019) by Alice Heneghan
Slovenian filmmaker Damjan Kozole speaks about the idea behind his 2003 feature Spare Parts, his career beginnings, and the future of cinema.
Review

Sonja Prosenc’s History of Love (Zgodovina ljubezni, 2018)

Vol. 86 (Summer 2018) by Colette de Castro
Sonja Prosenc is back at Karlovy Vary with a disappointing follow-up to her dreamy debut The Tree.
Interview

Sonja Prosenc on History of Love

Vol. 86 (Summer 2018) by Editors
We met Slovenian filmmaker Sonja Prosenc in Karlovy Vary, where her latest feature screened in the main competition.
Review

Hanna Slak’s The Miner (Rudar, 2017)

Vol. 80 (December 2017) by Ana Grgić
Hanna Slak returns to two tragic events in the history of 20th century Europe.
Essay

Filming Homosexuality in the Yugoslav Black Wave (1967-1971)

Vol. 78 (October 2017) by Sanja Lazarević Radak
This essay retraces the way Black Wave directors instrumentalized forms of sexuality perceived as "deviant" for their artistic purposes.
Essay

France Štiglic’s Valley of Peace (Dolina Miru, 1956)

Vol. 66 (Summer 2016) by Clarence Tsui
Clarence Tsui retraces the unlikely historical background of this 1956 Yugoslav drama.
Review

Sonja Prosenc’s The Tree (Drevo, 2014)

Vol. 43 (July 2014) by Colette de Castro
A family is forced to stay in their house under mysterious circumstances.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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