Slovenia

Rok Biček’s Class Enemy (Razredni sovražnik, 2013)

Rok Biček’s first feature is a fascinating psychodrama which concentrates on the metaphysics of blame.

Marko Šantić's first feature explores elements of seriocomedy to tell the coming of age story of a young man in Slovenia.

Vedrana Madžar and Zorka Obrenić retrace the ways in which Godina surveys the connections between art and labor.

Sezgin Boynik examines the Marxist-Leninist Roots of Zenitism, a Yugoslav avantgarde movement of the 1920s.

Gal Kirn situates three shorts by Godina from the early 1970s within the framework of Jacques Rancière’s theory of the “Aesthetics of Politics”.

In a wartorn landscape somewhere in the Balkans, a family is visited by a traveling circus.

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