Anna Dziapshipa’s Self-Portrait Along the Borderline (Avtoportreti zghvarze, 2023)

Vol. 140 (December 2023) by Zoe Aiano
Anna Dziapshipa reflects on her life divided by borders.

Anna Dziapshipa on Self-Portrait Along the Borderline

Vol. 140 (December 2023) by Zoe Aiano
Anna Dziapshipa shares the main idea behind her reflections on her Abkhaz identity in Self-Portrait Along the Borderline.

Tinatin Kajrishvili’s Citizen Saint (Mokalake Tsmindani, 2023)

Vol. 138 (October 2023) by Martin Kudláč
A minimalist parable doubling as a social allegory.

Asif Rustamov’s Cold as Marble (Mermer Soyugu, 2022)

Vol. 130 (December 2022) by Isabel Jacobs
A story of mad desire that does not quite hit home.

Ioseb Bliadze’s A Room of My Own (Chemi otakhi, 2022)

Vol. 128 (October 2022) by Savina Petkova
Privacy and convergence in an oppressive environment.

Inna Sahakyan’s Aurora’s Sunrise (2022)

Vol. 126 (Summer 2022) by Isabel Jacobs
This animated documentary follows the true story of a survivor of the Armenian genocide.

Inna Sahakyan on Aurora’s Sunrise

Vol. 126 (Summer 2022) by Isabel Jacobs
We met Armenian filmmaker Inna Sahakyan to speak about her animated documentary Aurora’s Sunrise.

Golden Apricot Shorts 2022

Vol. 126 (Summer 2022) by Isabel Jacobs
The domestic short film selection at this year's Golden Apricot film festival turned the gaze inwards.

Alexis Pazoumian’s Nagorno Karabagh: Two Children in the War (2020), Louise Martin Papasian’s Drafted (Appelé, 2021) & Raffi Movsisyan’s Homecoming (2020)

Vol. 122 (February 2022) by Melina Tzamtzi
Melina Tzamtzi reviewed three Armenian shorts that address male vulnerability.

Christine Haroutounian’s World (Ashkhar, 2020)

Vol. 121 (January 2022) by Melina Tzamtzi
Christine Haroutounian’s World is a short about coping with grief.
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