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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Valentyn Vasyanovych’s Atlantis (2019)

Vol. 102 (February 2020) by Anastasia Eleftheriou
Valentyn Vasyanovych's outlook on future life in Ukraine is dominated by static tableaux, and pessimism.
Essay

Sergei Paradjanov’s Kiev Frescoes (Kievski Freski, 1966)

Vol. 103 (March 2020) by Anna Doyle
Anna Doyle revisits Paradjanov's unfinished post-WWII project, which was originally intended as a feature length film.
Special Issue

The Films of Kira Muratova

Vol. 98 (October 2019) by Editors
Our special issue on Kira Muratova explored some dominant themes of her films.

Guest edited by Colette de Castro

Review

Micol Roubini’s The Way to the Mountains (La strada per le montagne, 2019)

Vol. 101 (January 2020) by Isabel Jacobs
The author of this recent French-Italian co-production feels unwanted while visiting the village where her grandfather used to live.
Essay

Kira Muratova’s Long Farewells (Dolgie provody, 1971)

Vol. 98 (October 2019) by Eugénie Zvonkine
Kira Muratova scholar Eugénie Zvonkine revisits the incompleteness of Long Farewells.
Interview

Interview with Kira Muratova

Vol. 98 (October 2019) by Alexey Artamonov
We are republishing Alexey Artamonov's 2016 interview with Kira Muratova on the occasion of our special Muratova issue.
Essay

The Impossibility of Love in Kira Muratova’s Brief Encounters (Korotkie Vstrechi, 1967)

Vol. 98 (October 2019) by Isabel Jacobs
What does Kira Muratova's classic have to teach us about the radical potential of love?
Review

Yuriy Shylov’s Projectionist (Panorama, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A movie projectionist and his work-place compete for the center spot in this ambivalent documentary from Ukraine.
Interview

Yuriy Shylov on Projectionist

Vol. 96 (Summer 2019) by Zoe Aiano
Ukrainian filmmaker Yuriy Shylov speaks about the main idea behind his film, and explains how it relates to current happenings in Ukraine.
Review

Antonio Lukich’s My Thoughts Are Silent (Moi dumki tikhi, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A sound engineer, his mother, and a mysterious duck are the three protagonists of this image-driven road movie.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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