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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Nana Ekvtimishvili and Simon Gross’ My Happy Family (Chemi bednieri ojakhi, 2017)

Vol. 72 (February 2017) by Zoe Aiano
This Georgian feature tells the story of a family woman and her sudden urge to live an independent life.
Review

Rezo Gigineishvili’s Hostages (2017)

Vol. 72 (February 2017) by Carlos Kong
Rezo Gigineishvili reconstructs the tragic hijacking of a Soviet plane.
Review

Rati Oneli’s City of the Sun (Mzis qalaqi, 2017)

Vol. 72 (February 2017) by Moritz Pfeifer
Georgian documentarian Rati Oneli takes a spiritual look at the social and urban decay of a mining town.
Review

Călin Peter Netzer’s Ana, mon amour (2017)

Vol. 72 (February 2017) by Zoe Aiano
Călin Peter Netzer’s latest feature revolves around a couple and their antipodal fates.
Review

Július Ševčík’s A Prominent Patient (Masaryk, 2017)

Vol. 72 (February 2017) by Zoe Aiano
Július Ševčík returns to Czech cinema’s favorite historical theme: the 1938 Munich agreement.
Review

Mikhail Barynin’s 24 Snow (24 snega, 2016)

Vol. 72 (February 2017) by Moritz Pfeifer
Mikhail Barynin travels to Russia’s Far East to depict what he perceives as the demise of the pastoral tradition.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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