Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Bogdan Balla’s I Had Been Sleepwalking When I Saw All Those Colors (2021)

Vol. 128 (October 2022) by Anna Doyle
Bogdan Balla reflects on the ongoing struggle of the LGBTQ+ community in Romania.

Dmytro Sukholytkyy-Sobchuk’s Pamfir (2022)

Vol. 128 (October 2022) by Antonis Lagarias
Escaping precarity in the Ukrainian countryside.

Ioseb Bliadze’s A Room of My Own (Chemi otakhi, 2022)

Vol. 128 (October 2022) by Savina Petkova
Privacy and convergence in an oppressive environment.

David Kapac and Andrija Mardešić’s The Uncle (Stric, 2022)

Vol. 128 (October 2022) by Colette de Castro
A wacky 1980s Christmas dinner staged by Croatian filmmaking duo David Kapac and Andrija Mardešić.

Ghosts of History in the Films of Mona Vatamanu and Florin Tudor

Vol. 127 (September 2022) by Antonis Lagarias
The fate of ruins in willfully forgetful societies.

Family Dynamics in Cristi Puiu’s Sieranevada (2016)

Vol. 127 (September 2022) by Ioana Tarbu
How Cristi Puiu achieves a sense of cultural intimacy and connivance with the Romanian public.

Andrea Cristina Bortun’s When Night Meets Dawn (2021)

Vol. 127 (September 2022) by Anna Doyle
A coming-of-age film set amidst the urban jungle of Bucharest.

Radu Jude’s Aferim! (2015) and Ottoman Heritage

Vol. 127 (September 2022) by Roxana Coman
Does Radu Jude's tribute to the spaghetti western genre fall prey to stereotypical tropes?

Inna Sahakyan’s Aurora’s Sunrise (2022)

Vol. 126 (Summer 2022) by Isabel Jacobs
This animated documentary follows the true story of a survivor of the Armenian genocide.

Agnieszka Smoczyńska’s The Silent Twins (2022)

Vol. 126 (Summer 2022) by Jack Page
Agnieszka Smoczyńska portrays the Gibbons sisters in a creative blend of genres.
Page 10 of 66« First...9101112203040...Last »