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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Golden Apricot Shorts 2022

Vol. 126 (Summer 2022) by Isabel Jacobs
The domestic short film selection at this year's Golden Apricot film festival turned the gaze inwards.
Review

Miroslav Krobot’s Big Opening (Velká premiéra, 2022)

Vol. 126 (Summer 2022) by Jack Page
A thespian escapes Prague to direct his own play in this offbeat comedy.
Essay

Tanja Deman’s Horizon (Horizont, 2021)

Vol. 125 (May 2022) by Anna Doyle
The Adriatic sea between a nostalgic past and an apocalyptic future.
Review

Beata Parkanová’s The Word (Slovo, 2022)

Vol. 125 (May 2022) by Jack Page
A story of dissident dissent.
Review

Sasha Kulak’s Mara (2022)

Vol. 125 (May 2022) by Antonis Lagarias
A film about Belarus that reminds us of Europe's constant political and social crisis.
Review

Ola Jankowska’s Anatomy (Anatomia, 2021)

Vol. 125 (May 2022) by Isabel Jacobs
A woman returns home to see her sick father.
Review

Christos Passalis’ Silence 6-9 (Isihia 6-9, 2022)

Vol. 125 (May 2022) by Jack Page
Grief and loneliness in a not-so-distant future.
Review

Tomasz Wasilewski’s Fools (Głupcy, 2022)

Vol. 125 (May 2022) by Jack Page
Tomasz Wasilewski's fourth feature is a disturbing domestic drama.
Review

Darezhan Omirbayev’s Poet (Akyn, 2021)

Vol. 124 (April 2022) by Antonis Lagarias
The fate of poetry in 21st century Kazakhstan.
Review

Jan Gebert’s The Candidates (Kandidátky, 2022)

Vol. 124 (April 2022) by Alice Heneghan
Jan Gebert follows two young female politicians from opposite political camps.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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