Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Tonislav Hristov’s The Good Driver (2022)

Vol. 130 (December 2022) by Ana Grgić and Antonis Lagarias
The limits and pitfalls of mobility on the European continent.

Eduart Grishaj’s Sophia (Sofia, 2022)

Vol. 130 (December 2022) by Fabio Bego
Eduart Grishaj addresses Albanian-Serb relations.

Asif Rustamov’s Cold as Marble (Mermer Soyugu, 2022)

Vol. 130 (December 2022) by Isabel Jacobs
A story of mad desire that does not quite hit home.

Signe Baumane’s My Love Affair With Marriage (2022)

Vol. 130 (December 2022) by Zoe Aiano
A reflection on the pitfalls of institutionalized love.

Réka Bucsi’s Intermission (2022)

Vol. 129 (November 2022) by Julia Skala
A short abstract exercise from Hungarian animation filmmaker Réka Bucsi.

Tomek Ducki’s Plantarium (2020) & Sander Joon’s Sierra (2022)

Vol. 129 (November 2022) by Julia Skala
These two short animations address issues related to the relationship between father and son.

Natasha Merkulova and Aleksey Chupov’s Captain Volkonogov Escaped (Kapitan Volkonogov bezhal, 2021)

Vol. 129 (November 2022) by Colette de Castro
An aestheticized take on the Soviet Great Terror (1936-1938).

Otilia Babara’s Love is Not an Orange (2022)

Vol. 129 (November 2022) by Zoe Aiano
On a major change in family life caused by Moldova's transition to capitalism.

Signe Baumane’s My Love Affair With Marriage (2022)

Vol. 129 (November 2022) by Julia Skala
This semi-autobiographical film recounts a woman's ambivalent attitude towards romantic relationships

Ruslan Fedotov’s Where Are We Headed? (2021)

Vol. 128 (October 2022) by Antonis Lagarias
The weird and the wicked in Moscow's metro system.
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