• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Retrospectives
Reflections on stand-out films of the past.

Essay

Archival Film, the Jugoplastika Factory, and the Imaginary of the Yugoslav Socialist City

Vol. 137 (September 2023) by Ana Grgić
An essay on useless memory and useful films.
Essay

Yugoslav Mass Housing Strikes Back

Vol. 137 (September 2023) by Lea Horvat
Moving beyond cliched depictions of mass housing in the (post-)Yugoslav space.
Essay

Women Amateur Films from Yugoslavia

Vol. 136 (Summer 2023) by Anna Doyle
Anna Doyle reflects on the marginalization of women filmmakers in the alternative cine-club culture of Yugoslavia.
Review

Marina Gržinić and Aina Šmid’s Early Videos

Vol. 136 (Summer 2023) by Isabel Jacobs
Isabel Jacobs recounts the early stage of Marina Gržinić and Aina Šmid’s 40-year-long collaboration.
Essay

Ivan Martinac’s Monolog on Split (Monolog o Splitu, 1961) & Lordan Zafranović’s People (Passing) II (Ljudi (u prolazu) II, 1967)

Vol. 136 (Summer 2023) by Frédéric Tachou
Experimental filmmaker Frédéric Tachou revisits two works from the Kino Klub Split through the prism of space.
Review

Maja Weiss’ Guardian of the Frontier (Varuh Meje, 2002)

Vol. 135 (May 2023) by Julia Skala
A surreal, tense road trip down the Kolpa River in Slovenia.
Review

György Fehér’s Twilight (Szürkület, 1990)

Vol. 133 (March 2023) by Zoe Aiano
Zoe Aiano draws parallels between this recently restored black-and-white film and Twin Peaks.
Essay

Danilo Kiš’s Bare Life (Goli život, 1990) in Retrospect

Vol. 132 (February 2023) by McKenna Marko
McKenna Marko revisits an all but forgotten document of Yugoslav history.
Essay

Slobodan Šijan’s Experimental Films

Vol. 131 (January 2023) by Anna Doyle
Anna Doyle reviews Slobodan Šijan’s experimental films from the 1970s.
Review

Oldřich Lipský’s Happy End (Šťastný konec, 1967)

Vol. 130 (December 2022) by Colette de Castro
In this 1967 comedy, time runs backwards.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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