Review

Sergey Dvortsevoy’s Bread Day (Khlebnyy den, 1998)

A remote village, recurrent routines and a straightforward filmmaking approach harmonize in Dvortsevoy’s early documentary.

This all-too perfect documentary dwells on the fate of tradition in the modern world.

Alex Brendea reverses the dynamics of the classic one-man versus the broken system narrative.

This creative documentary tests genre conventions only to lose its way.

In their second feature, Natasha Merkulova and Aleksey Chupov approach issues surrounding gender politics and sexual norms through a local folk-tale.

Is our culture of awareness conducive to our forgetting where the problems lie?

In 2012, Maria Saakyan made a 180°-turn by leaving behind arthouse aesthetics in her popculture-induced and highly referential vision of apocalypse.

Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.

Melina Tzamtzi revisits the dreamlike poetry of Maria Saakyan's debut feature.

Filmmaking duo Boris Missirkov and Georgi Bogdanov travel Eastern Europe to reflect on the lasting legacy of "people's palaces".

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