Elmar Imanov’s End of Season (Ende der Saison, 2019)

Vol. 92 (February 2019) by Rohan Crickmar
Imanov’s screenplay (co-written with Anar Imanov) is a scathing rally against sentimentalism.

Simona Kostova’s Thirty (Dreissig, 2018) & Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 92 (February 2019) by Rohan Crickmar
Two female filmmakers with Balkan background work around the edges of their own biographies.

Nariné Mkrtchyan and Arsen Azatyan’s About Him or How He Did Not Fear the Bear (Nra masin kam te inchpes na chvakhetsav arjits, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This Armenian feature about a recent massacre is weighed down by its lack of context.

Diana Vidrașcu’s Silence of the Sirens (Le silence des Sirènes, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This loose adaptation of Kafka's eponymous short story is a playful, and often provocative exercise in cinematic genres.

Igor Bezinović’s Cartolina de Momjan (2018)

Vol. 91 (January 2019) by Alice Heneghan
This Croatian short blows a breath of the Adriatic sea across the screen.

Marjan Alčevski’s Success (Uspjeh, 2019-)

Vol. 91 (January 2019) by Alice Heneghan
A cover up is at the forefront of this new Balkan-produced HBO series.

Misho Antadze’s The Harvest (Mosavali, 2019)

Vol. 91 (January 2019) by Rohan Crickmar
Misho Antadze portrays Georgia's easternmost region as a nexus between agriculture, modern technological infrastructure and natural wilderness.

Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
In Ena Sendijarević's debut, we watch a young girl of Bosnian origin explore her identity and sexuality.

Ana Urushadze’s Scary Mother (Sashishi deda, 2017)

Vol. 91 (January 2019) by Daniil Lebedev
Ana Urushadze’s debut feature about a struggling writer defies prevalent cliches about the martyrdom of art.

Radu Jude’s The Marshal’s Two Executions (Cele două execuții ale Mareșalului, 2018)

Vol. 91 (January 2019) by Colette de Castro
Radu Jude's latest feat compares original rushes of the execution of four collaborationist Romanian politicians with a fictional remake of the same scene.
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