Otilia Babara’s Love is Not an Orange (2022)

Vol. 129 (November 2022) by Zoe Aiano
On a major change in family life caused by Moldova's transition to capitalism.

Signe Baumane’s My Love Affair With Marriage (2022)

Vol. 129 (November 2022) by Julia Skala
This semi-autobiographical film recounts a woman's ambivalent attitude towards romantic relationships

Bogdan Balla’s I Had Been Sleepwalking When I Saw All Those Colors (2021)

Vol. 128 (October 2022) by Anna Doyle
Bogdan Balla reflects on the ongoing struggle of the LGBTQ+ community in Romania.

Dmytro Sukholytkyy-Sobchuk’s Pamfir (2022)

Vol. 128 (October 2022) by Antonis Lagarias
Escaping precarity in the Ukrainian countryside.

Ioseb Bliadze’s A Room of My Own (Chemi otakhi, 2022)

Vol. 128 (October 2022) by Savina Petkova
Privacy and convergence in an oppressive environment.

David Kapac and Andrija Mardešić’s The Uncle (Stric, 2022)

Vol. 128 (October 2022) by Colette de Castro
A wacky 1980s Christmas dinner staged by Croatian filmmaking duo David Kapac and Andrija Mardešić.

Inna Sahakyan’s Aurora’s Sunrise (2022)

Vol. 126 (Summer 2022) by Isabel Jacobs
This animated documentary follows the true story of a survivor of the Armenian genocide.

Agnieszka Smoczyńska’s The Silent Twins (2022)

Vol. 126 (Summer 2022) by Jack Page
Agnieszka Smoczyńska portrays the Gibbons sisters in a creative blend of genres.

Golden Apricot Shorts 2022

Vol. 126 (Summer 2022) by Isabel Jacobs
The domestic short film selection at this year's Golden Apricot film festival turned the gaze inwards.

Miroslav Krobot’s Big Opening (Velká premiéra, 2022)

Vol. 126 (Summer 2022) by Jack Page
A thespian escapes Prague to direct his own play in this offbeat comedy.
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