Radu Jude’s Everybody in Our Family (Toata lumea din familia noastra, 2012)

Vol. 16 (April 2012) by Alina Popescu
Radu Jude's second feature takes a disturbing look at family life.

Tomáš Luňák’s Alois Nebel (2011)

Vol. 16 (April 2012) by Colette de Castro
In Tomáš Luňák's animated film, a train dispatcher gets involved in an affair dating back to the end of the second World War.

J. Scheljabuschski’s Katok (1927), M. Benderskaja’s Prikljutschenija kitajtschat (1928), N. Chodatajew’s Budem sorki (1927), L. Amalrik and I. Iwanow-Wano’s Blek end uait (1932)

Vol. 15 (March 2012) by Patricia Bass
Patricia Bass discusses four Soviet animated films from the late 1920s and early 1930s that were screened during this year's Berlinale retrospective.

Sinisa Dragin’s Everyday God Kisses Us on the Mouth (În fiecare zi Dumnezeu ne saruta pe gura, 2001)

Vol. 15 (March 2012) by Alina Popescu
Alina Popescu revisits Sinisa Dragin’s fiction debut.

Chantal Akerman’s From the East (D’Est, 1993)

Vol. 15 (March 2012) by Konstanty Kuzma
We saw Chantal Akerman’s 1993 documentary.

Srđan Dragojević’s The Parade (Parada, 2012)

Vol. 15 (March 2012) by Patricia Bass
Srđan Dragojević's latest piece converts the struggles of Serbia's gay activists into a stylized, high-paced 'dramedy'.

Wladimir Schnejderow’s The Golden Lake (Zolotoje Osero, 1935)

Vol. 14 (February 2012) by Patricia Bass
This feature from 1935 takes place in the remote Altai mountains of the Soviet Union.

Alexandru Tatos’ Sequences (Secvente, 1982)

Vol. 14 (February 2012) by Alina Popescu
In this Romanian satire by Alexandru Tatos, the film crew gets entangled in the story.

Dušan Makavejev’s Love Affair, or the Case of the Missing Switchboard Operator (Ljubavni slučaj ili tragedija službenice P.T.T., 1967)

Vol. 14 (February 2012) by Konstanty Kuzma
Konstanty Kuzma saw Dušan Makavejev’s provocative 1967 feature.

Przemysław Wojcieszek’s Secret (Sekret, 2012)

Vol. 14 (February 2012) by Colette de Castro
Przemysław Wojcieszek’s film is a study of three mismatched Poles. As the title of the film suggests, one of them has a secret…
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