Alisa Kovalenko’s We Will Not Fade Away (My ne zgasnemo, 2023)

Vol. 132 (February 2023) by Zoe Aiano
A portrait of the youth in a community that has been uprooted by war.

Vera Lacková’s How I Became a Partisan (Ako som sa stala partizánkou, 2021)

Vol. 132 (February 2023) by Alice Heneghan
A young woman inquires into the story of her grandfather and the forgotten fate of Roma during WWII.

Juraj Lerotić’s Safe Place (Sigurno mjesto, 2022)

Vol. 132 (February 2023) by Ana Grgić
A strongly autobiographical film about the elusiveness of mental health.

Anna Shishova’s The New Greatness Case (Ansa Moskovassa, 2022)

Vol. 131 (January 2023) by Colette de Castro
A rare Russian film not shunned by the international film community.

Aida Begić’s A Ballad (Balada, 2022)

Vol. 131 (January 2023) by Ana Grgić and Antonis Lagarias
Aida Begić’s latest film resists readymade interpretations when it comes to its representations of life on the Balkans and of feminism.

Marek Kozakiewicz’s Silent Love (2022)

Vol. 131 (January 2023) by Zoe Aiano
Marek Kozakiewicz navigates the strengths and ethical challenges of documentary filmmaking.

Oldřich Lipský’s Happy End (Šťastný konec, 1967)

Vol. 130 (December 2022) by Colette de Castro
In this 1967 comedy, time runs backwards.

Eduart Grishaj’s Sophia (Sofia, 2022)

Vol. 130 (December 2022) by Fabio Bego
Eduart Grishaj addresses Albanian-Serb relations.

Asif Rustamov’s Cold as Marble (Mermer Soyugu, 2022)

Vol. 130 (December 2022) by Isabel Jacobs
A story of mad desire that does not quite hit home.

Signe Baumane’s My Love Affair With Marriage (2022)

Vol. 130 (December 2022) by Zoe Aiano
A reflection on the pitfalls of institutionalized love.
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