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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 82 (February 2018) by Editors
Review

Armando Iannucci’s The Death of Stalin (2017)

Vol. 82 (February 2018) by Daniil Lebedev
Daniil Lebedev wonders what are the reasons why public officials in Russia are unable to laugh about this comedy on the times of Soviet terror.
Review

Bernadett Tuza-Ritter’s A Woman Captured (2017)

Vol. 82 (February 2018) by Colette de Castro
This film portrays at once the immense fragility of a woman who has been enslaved for ten years by a Hungarian family, and her startling strength.
Festival

Berlinale 2018

Vol. 82 (February 2018) by Editors
Live coverage from the 68th Berlin International Film Festival (February 15-25).
Review

Bojina Panayotova’s I See Red People (Je vois rouge, 2018)

Vol. 82 (February 2018) by Zoe Aiano
This highly personal docu-essay revisits Bulgaria's Communist past through a generational conflict.
Interview

Jan Gebert on When the War Comes

Vol. 82 (February 2018) by Zoe Aiano
We spoke to Czech filmmaker Jan Gebert about his latest documentary, political developments in Central Europe, and differences between journalism and filmmaking.
Review

Jan Gebert’s When the War Comes (Až přijde válka, 2018)

Vol. 82 (February 2018) by Zoe Aiano
Jan Gebert’s film documents the synchronous radicalization and normalization of a Slovak right-wing militia.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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