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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 101 (January 2020) by Editors
Review

Boris Akopov’s The Bull (Byk, 2019)

Vol. 101 (January 2020) by Konstanty Kuzma
The 1990s are back in this ideologically reserved crime film from Russia.
Review

Micol Roubini’s The Way to the Mountains (La strada per le montagne, 2019)

Vol. 101 (January 2020) by Isabel Jacobs
The author of this recent French-Italian co-production feels unwanted while visiting the village where her grandfather used to live.
Review

Levan Akin’s And Then We Danced (2019)

Vol. 101 (January 2020) by Konstanty Kuzma
Levan Akin's story of forbidden love advocates a form of progressive patriotism.
Review

Peter Kerekes’ BATAstories (Baťa, první globalista, 2018)

Vol. 101 (January 2020) by Konstanty Kuzma
Peter Kerekes' film touches on all the problems of global capitalism without addressing any of them.
Festival

Trieste 2020

Vol. 101 (January 2020) by Editors
Live coverage from the 31st Trieste Film Festival (January 17-23).
Review

Marko Škop’s Let There Be Light (Nech je svetlo, 2019)

Vol. 101 (January 2020) by Konstanty Kuzma
Masculinity hits back in rural Slovakia in Marko Škop’s highly unfunny feature.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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