Harutyun Khachatryan’s Endless Escape, Eternal Return (Anverj Pakhust, Haverzh Veradardz, 2013)

Vol. 50 (February 2015) by Julia Zelman
Harutyun Khachatryan's latest feature reflects on questions of national identity in the life of Armenian exiles.

Nataliya Belyauskene’s If Only Everyone… (Ete Bolor…, 2012)

Vol. 49 (January 2015) by Konstanty Kuzma
Konstanty Kuzma wonders whether the pacifistic pathos of films like If Only Everyone.... justifies their existence.

Fatih Akin’s The Cut (2014)

Vol. 49 (January 2015) by Konstanty Kuzma
Fatih Akin's latest film follows the fate of an Armenian family separated in the course of Ottoman purges. Politically, the film caused an uproar, but what about its artistic appeal?

Serge Avedikian and Olena Fetisova’s Paradjanov (2013)

Vol. 40 (April 2014) by Konstanty Kuzma
Serge Avedikian and Olena Fetisova accompany Sergei Paradjanov from his early career in Ukraine to the later stages of his life, which he spent in Georgia and Armenia.

Maria Saakyan’s I’m Going to Change My Name (Alaverdi, 2013)

Vol. 40 (April 2014) by Moritz Pfeifer
Armenian director Maria Saakyan's second feature film is a poetic coming-of-age story.
Page 3 of 3123