Alexis Pazoumian’s Nagorno Karabagh: Two Children in the War (2020), Louise Martin Papasian’s Drafted (Appelé, 2021) & Raffi Movsisyan’s Homecoming (2020)

Vol. 122 (February 2022) by Melina Tzamtzi
Melina Tzamtzi reviewed three Armenian shorts that address male vulnerability.

Christine Haroutounian’s World (Ashkhar, 2020)

Vol. 121 (January 2022) by Melina Tzamtzi
Christine Haroutounian’s World is a short about coping with grief.

Christine Haroutounian on World

Vol. 121 (January 2022) by Melina Tzamtzi
Christine Haroutounian discusses the idea behind her film and what it is like to navigate Los Angeles and her Armenian heritage.

Silva Khnkanosian’s Nothing to Be Afraid Of (2019)

Vol. 100 (December 2019) by Zoe Aiano
Silva Khnkanosian's portrait of a post-war demining process manages to do without contextualization or stylistic gimmickry.

Maria Saakyan’s I’m Going to Change My Name (Alaverdi, 2013)

Vol. 97 (September 2019) by Antonis Lagarias
Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.

Maria Saakyan’s The Lighthouse (Mayak, 2006)

Vol. 97 (September 2019) by Melina Tzamtzi
Melina Tzamtzi revisits the dreamlike poetry of Maria Saakyan's debut feature.

Nariné Mkrtchyan and Arsen Azatyan’s About Him or How He Did Not Fear the Bear (Nra masin kam te inchpes na chvakhetsav arjits, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This Armenian feature about a recent massacre is weighed down by its lack of context.

Yervant Gianikian and Angela Ricci Lucchi on their Armenian Films

Vol. 69 (November 2016) by Moritz Pfeifer
The artist duo speak about their preoccupation with and interest in the Armenian genocide.

Historical Evidence in the Armenian Films of Yervant Gianikian and Angela Ricci Lucchi

Vol. 69 (November 2016) by Moritz Pfeifer
Moritz Pfeifer places Yervant Gianikian and Angela Ricci Lucchi's Armenian films in the context of the aesthetics that have dominated European memory culture.

Symbol and Tradition in Parajanov’s Caucasian Trilogy

Vol. 58 (October 2015) by Moritz Pfeifer
Moritz Pfeifer discusses the symbolic tradition of the pomegranate in the Caucasus and in Parajanov's films.
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