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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Tonislav Hristov’s The Good Driver (2022)

Vol. 130 (December 2022) by Ana Grgić and Antonis Lagarias
The limits and pitfalls of mobility on the European continent.
Interview

Tonislav Hristov on The Good Driver

Vol. 130 (December 2022) by Ana Grgić and Antonis Lagarias
Bulgarian filmmaker Tonislav Hristov discusses the politics and back story of his debut feature.
Essay

Binka Zhelyazkova Retrospective at Thessaloniki 2021

Vol. 120 (December 2021) by Savina Petkova
Savina Petkova revisits a thematic triptych by Bulgarian filmmaker Binka Zhelyazkova.
Review

Elitza Gueorguieva’s Our Quiet Place (Un endroit silencieux, 2021)

Vol. 119 (November 2021) by Zoe Aiano
Two young women of Eastern European origin bond over a shared quest to master the French language.
Interview

Elitza Gueorguieva on Our Quiet Place

Vol. 119 (November 2021) by Zoe Aiano
Elitza Gueorguieva speaks about her latest film, in which she follows a Belarusian writer as she reflects on the loss of her father.
Review

Svetla Tsotsorkova’s Sister (Sestra, 2019)

Vol. 100 (December 2019) by Lucian Tion
Svetla Tsotsorkova hunts for clichees and prejudices about life on the periphery.
Review

Boris Missirkov and Georgi Bogdanov’s Palace for the People (2019)

Vol. 97 (September 2019) by Lucian Tion
Filmmaking duo Boris Missirkov and Georgi Bogdanov travel Eastern Europe to reflect on the lasting legacy of "people's palaces".
Interview

Hristiana Raykova on The Pit

Vol. 93 (March 2019) by Zoe Aiano
Raykova explains how she found her film's setting and themes, how she settled on its aesthetics, and what it is like to film a predominantly male environment as a woman.
Review

Hristiana Raykova’s The Pit (Die Grube, 2019)

Vol. 93 (March 2019) by Zoe Aiano
Hristiana Raykova portrays a communal bath's group of frequent visitors in Varna, Bulgaria.
Review

Simona Kostova’s Thirty (Dreissig, 2018) & Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 92 (February 2019) by Rohan Crickmar
Two female filmmakers with Balkan background work around the edges of their own biographies.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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