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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Michale Boganim’s Land of Oblivion (La terre outragée, 2011)

Vol. 65 (May 2016) by Ana Ribeiro
Ana Riberio analyzes the transnational aspects of Michale Boganim's Land of Oblivion.
Essay

How a Ukrainian Computer Game Transfigured Folkloric Processes of Remembering

Vol. 65 (May 2016) by Daniel Fuller
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
Review

Chad Gracia’s The Russian Woodpecker (2015)

Vol. 65 (May 2016) by Jack Page
Jack Page looks at the much-hyped documentary Russian Woodpecker, which juxtaposes the nuclear accident with the turbulent political events happening in Ukraine today.
Essay

Popular U.S. American Cinematographic Depictions of Chernobyl

Vol. 65 (May 2016) by Tetiana Ostapchuk
Ukrainian scholar Tetiana Ostapchuk locates negative national stereotypes in popular US-American productions about Chernobyl.
Review

Elżbieta Benkowska’s, Łukasz Ostalski’s and Michał Wawrzecki’s New World (Nowy Świat, 2015)

Vol. 64 (April 2016) by Julia Zelman
Julia Zelman unveils how the collaborative feature New World challenges discrimination against migrants.
Essay

Bobo Jelčić’s A Stranger (2013) & Ognjen Glavonić’s Depth Two (2016)

Vol. 64 (April 2016) by Moritz Pfeifer
Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.
Essay

Karolina Bielawska’s Call me Marianna (2015), Oleg Mavromati’s No Place for Fools (2015), Alina Rudnistkaya’s Victory Day (2015)

Vol. 64 (April 2016) by Susanne Kappesser
Susanne Kappesser looks at these three films that deal with gender and heteronormativity.
Essay

Mira Fornay’s My Dog Killer (Môj pes Killer, 2015) & Radu Jude’s Aferim! (2015)

Vol. 64 (April 2016) by Colette de Castro
Colette de Castro discusses discrimination against Roma children through an analysis of My Dog Killer and Aferim!.
Review

Andrei Kutsila’s Guests (Hosci, 2015)

Vol. 64 (April 2016) by Patricia Bass
Patricia Bass analyzes Andrei Kutsila’s documentary about a Belorussian refuge for the poor.
Review

Nikola Ljuca’s Humidity (Vlažnost, 2016)

Vol. 64 (April 2016) by Konstanty Kuzma
Nikola Ljuca unmasks the hypocrisy of Serbia’s elite in his compelling feature.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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