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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Boris Yukhananov’s video-novel The Mad Prince (Sumashedshiy Prints, 1986-)

Vol. 109 (November 2020) by Gordei Petrik
In the 1980s, Boris Yukhananov launched a series of VHS films that introduces his concept of "fatal editing".
Essay

Igor and Gleb Aleynikov’s The Cruel Illness of Men (Zhestokaia bolezn’ muzhchin, 1987)

Vol. 109 (November 2020) by Emily Nill
Emily Nill emphasizes the critical potential of the Aleynikovs' engagement with the avant-garde.
Review

Igor and Gleb Aleynikov’s Tractor Drivers 2 (Traktoristy 2, 1992)

Vol. 109 (November 2020) by Gordei Petrik
Gordei Petrik returns to one of only two films of Parallel Cinema to be produced at the central Soviet studios.
Review

Maria Yatskova’s Miss Gulag (2007)

Vol. 108 (October 2020) by Antonis Lagarias
Can this film about a Siberian prison for female offenders unveil the unseen?
Review

Sergei Loznitsa’s State Funeral (Gosudarstvennyye Pokhorony, 2019)

Vol. 108 (October 2020) by Colette de Castro
Sergei Loznitsa created a counter-documentary of Joseph Stalin's death in 1953 out of original propaganda footage.
Review

Jessica Oreck’s One Man Dies A Million Times (2019)

Vol. 108 (October 2020) by Jack Page
A hybrid between historical film and sci-fi fiction, this film transports the siege of Leningrad to the future.
Interview

Interview with Vladimir Nadein

Vol. 107 (September 2020) by Editors
The curator and co-founder of the Moscow International Experimental Film Festival discusses the aesthetics, finances and politics behind organizing the event.
Interview

Interview with Dmitry Mamuliya

Vol. 107 (September 2020) by Nina Mdivani
Dmitry Mamuliya discusses the need for a new visual language and the usage of time in his films.
Review

Maxim Pechersky’s The Year of the White Moon (God beloy luni, 2020)

Vol. 107 (September 2020) by Yann Kaci
This experimental short addresses intergenerational divides within Russian society.
Review

Ismail Safarali’s I Still Must Watch You Turn To Stone (Smotret, kak ty prevrashaeshsya v kamen, 2020)

Vol. 107 (September 2020) by Phil Hobbins-White
This dreamy short explores connections between different peoples, as well as between humans and nature.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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