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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Ekaterina Selenkina’s Detours (Obkhodniye puti, 2021)

Vol. 121 (January 2022) by Maxim Plokhikh
This film explores Moscow's urban landscapes through the daily routine of a drug dealer.
Review

Péter Kerekes’ 107 Mothers (Cenzorka, 2021)

Vol. 121 (January 2022) by Maxim Plokhikh
Slovak filmmaker Péter Kerekes depicts the life of 107 mothers in a prison in Odessa.
Essay

Representation and Meaning of the Dacha in Contemporary Russian films

Vol. 113 (March 2021) by Maxim Plokhikh
This essay looks at two films that exemplify how the dacha is perceived in post-Soviet Russia.
Essay

Russian Cinema’s Post-Punk Dream

Vol. 110 (December 2020) by Maxim Plokhikh
Maxim Plokhikh examines the iconic role of Soviet musician Viktor Tsoi on screen.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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