Evgeny Yufit & Contemporary Parallel Cinema

Vol. 109 (November 2020) by pantanosumpf
As part of our special issue on Parallel cinema, we are publishing a selection of contemporary works from Buenos Aires inspired by the 1980s Soviet movement.

Boris Yukhananov’s video-novel The Mad Prince (Sumashedshiy Prints, 1986-)

Vol. 109 (November 2020) by Gordei Petrik
In the 1980s, Boris Yukhananov launched a series of VHS films that introduces his concept of "fatal editing".

Igor and Gleb Aleynikov’s The Cruel Illness of Men (Zhestokaia bolezn’ muzhchin, 1987)

Vol. 109 (November 2020) by Emily Nill
Emily Nill emphasizes the critical potential of the Aleynikovs' engagement with the avant-garde.

Igor and Gleb Aleynikov’s Tractor Drivers 2 (Traktoristy 2, 1992)

Vol. 109 (November 2020) by Gordei Petrik
Gordei Petrik returns to one of only two films of Parallel Cinema to be produced at the central Soviet studios.

Sergei Loznitsa’s State Funeral (Gosudarstvennyye Pokhorony, 2019)

Vol. 108 (October 2020) by Colette de Castro
Sergei Loznitsa created a counter-documentary of Joseph Stalin's death in 1953 out of original propaganda footage.

Vladimir Motyl’s The White Sun of the Desert (Beloye solntse pustyni, 1970)

Vol. 104 (April 2020) by Isaac W. R. Miller
Isaac W. R. Miller revisits Soviet Colonial ideology through a reading of this 1970 classic.

Sergei Paradjanov’s Kiev Frescoes (Kievski Freski, 1966)

Vol. 103 (March 2020) by Anna Doyle
Anna Doyle revisits Paradjanov's unfinished post-WWII project, which was originally intended as a feature length film.

The Films of Kira Muratova

Vol. 98 (October 2019) by Editors
Our special issue on Kira Muratova explored some dominant themes of her films.

Guest edited by Colette de Castro

Lana Gogoberidze’s Some Interviews on Personal Matters (Ramdenime interviu pirad sakitkhebze, 1978)

Vol. 100 (December 2019) by Antonis Lagarias
A woman journalist interviews women on personal matters, thereby unveiling the patriarchal and oppressive fabric of society.

Sally Potter’s I Am An Ox, I Am A Horse, I Am A Man, I Am A Woman (1987)

Vol. 100 (December 2019) by Antonis Lagarias
In this documentary commissioned by British television, Sally Potter dealt with the role of women in the Soviet film industry.
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