Marius Olteanu’s Monsters. (Monștri., 2019)

Vol. 93 (March 2019) by Zoe Aiano
Monsters depicts the crisis point in a relationship between a young, seemingly well-to-do couple.

László Csuja’s Blossom Valley (Virágvölgy, 2018)

Vol. 89 (November 2018) by Jack Page
László Csuja tries genre constraints in his coming-of-age road movie.

Radu Jude’s I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Radu Jude explores Romania’s complicity in the destruction of European Jews in his daring and intelligent film.

Iris Elezi and Thomas Logoreci’s Bota (2014)

Vol. 50 (February 2015) by Ana Grgić
Ana Grgić writes EEFB's first review of a majorly Albanian film, which portrays Albania in the dream-like microcosm of a remote bar.

Angelina Nikonova’s Twilight Portrait (2011)

Vol. 9 (September 2011) by Moritz Pfeifer
In Angelina Nikonova’s feature, an upper-crust woman is crushed by Russian society. Will she take revenge or will she surrender?
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